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Telethon Kid (Malthouse Theatre) – theatre review

Morality and money are at the heart of the acerbic Telethon Kid. Inspired by his own medical experiences, Melbourne-based writer Alistair Baldwin’s play has two interconnecting threads. One concerns overstepping the mark in a doctor/patient relationship and the other Big Pharma’s bluff and bluster. We’re at the annual global healthcare conference held by fictious pharmaceutical company Geneuris. Each year,…

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Bloom (MTC) – theatre review

A new Australian musical, Bloom hits the right notes. The delivery of effective aged care remains a contentious issue that has brought great consternation to many, before, during and after the COVID-19 lockdowns. Writer Tom Gleisner has taken that and run with it to create a humour-filled portrait of a facility for the third generation in desperate…

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Barbie – movie review

The hype has been enormous, but does Barbie, the movie, live up to expectations? Well, some elements do and others not so much. The film is populated by the Barbies and Kens of Barbieland, where women rule the roost and men trail in their wake. The chief Ken (bleach blonde Ryan Gosling, with a six-pack…

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Away (Theatre Works) – theatre review

It is the summer of 1967 and the Vietnam War remains troubling. Young Australians are being drafted to serve. Back home, life continues. Tom (Rupert Bevan) and Meg (Cait Spiker) are in a high school production of Shakespeare’s A Midsummer Night’s Dream. Tom takes a fancy to Meg and engages her in awkward conversation. When their respective parents…

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Joy Ride

Think of the hijinks in Crazy Rich Asians, Bridesmaids and The Hangover and you go some way to understanding why Joy Ride will be a fan favourite. There are laughs, silliness and good times aplenty. As five-year-olds, Audrey and Lolo meet by chance in 1998 at a New York park. Born in Asia, Audrey –…

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Just a Boy, Standing in Front of a Girl (fortyfivedownstairs) – theatre review

With five in the cast on a catwalk-like stage, this is a modern, generally slapstick and cartoonish interpretation of Euripides’ Greek tragedy Medea. In the historic work, Medea seeks revenge on her unfaithful husband. In Jane Miller’s Just a Boy, Standing in Front of a Girl, all the characters have received a contemporary makeover. Further, misogyny, fat shaming…

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