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Grant Busé: SentiMENTAL!

Nostalgia is very much alive and kicking … and Grant Busé has made a thoroughly entertaining, hour-long show about it. He sings, dances, plays instruments (guitar and piano) and chats up a storm. He is funny, clever, risqué and endearing. He pokes fun at the fact that the world seems to be all about remakes, reboots and remixes. He bemoans that “nostalgia just…

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The Broken Mill (Chapel off Chapel)

The bizarre meets the macabre and the maudlin in The Broken Mill. Through original song, storytelling and mime, six performers and four band members tell the tale of the manipulative and murderous Mama (Sarah Wall). She has taken in the destitute and disenfranchised and pulled together a cabaret involving misfits and mould breakers. Some are convinced she…

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Bigger & Blacker (La Boite) – Theatre Review

Bigger & Blacker begins with Steven Oliver’s iconic line from ABC’s Black Comedy. It is appropriate, given that the Cloncurry-born writer and actor is probably best-known for his sketch performances in the fast-paced, provocative and bold foray into race relations. However, as his autobiographical comedy cabaret shows, there is much more to this self-proclaimed faboriginal…

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Lady Beatle (La Boite) – cabaret review

When The Little Red Theatre Company first bought Lady Beatle to La Boite, the show soon became one of my favourites of 2017. And from the moment Naomi Price bursts forth with “Sgt Pepper’s Lonely Hearts Club Band” it’s clear the tradition will continue with its return to Brisbane. Her appropriate dress of military-style jacket,…

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