An emissary from a New York publishing house (Giuseppe Rotondella) is dispatched to Switzerland to convince reclusive crime novelist Patricia Highsmith (Jenny Davis) of The Talented Mr. Ripley fame to sign a new contract.
The decorated Davis is suitably caustic as Highsmith and newcomer Rotondella is all wayward gestures as the callow intruder into her literal bunker-like mentality. But those default positions for a play that talks about and explores, amongst other things, transformation felt too rigid for too long.
More interesting were moments of contrast – seeing Highsmith unexpectedly enjoy ‘show tunes’ and especially become immersed in moments of introspection. Likewise, Rotondella comes to the fore in the latter stages when his character takes on a stronger, more confident tone and the power dynamic is altered.
Those transformations needed to be sharper and the timing in only the second preview felt off. That should shake itself out over the run with the back and forth becoming crisper and the shifts more clearly delineated.
As a writer I also enjoyed observations and commentary on the process of writing and the relationship between an author and the world and characters they create.
At this stage the play didn’t quite fire on all cylinders for mine but that’s what previews are for and once this finds its rhythm and with the talent involved will be a tidy two-hander with an appropriate denouement.
Company: Black Swan State Theatre Company
Venue: Heath Ledger Theatre, State Theatre Centre, Perth
Dates: to 3 September 2017
Richard Hyde
For more of Richard Hyde’s writing on theatre, check out Perth Theatre Reviews
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- The 39 Steps (QT) – theatre review
- L’Appartement: Chaos in the City of Love (QT) – theatre review
- The Real Housewives of Perth (Limelight) – theatre review
David Edwards is the editor of The Blurb and a contributor on film and television