Seems playwright Annie Baker is the flavour of the month in Australian theatre. While her latest, John, is being staged by the MTC in Melbourne, the play that shot her to prominence (and a Pulitzer Prize), The Flick, is showing in Brisbane in this co-production between Queensland Theatre and Melbourne’s Red Stitch.
The Flick is the story of three ushers at an crumbling movie theatre in Worcester, Massachusetts, also called The Flick. They are Sam (Ben Prendergast), the longest-serving member of the crew; Rose (Ngaire Dawn Fair), who has the added responsibility of running the projector; and newcomer Avery (Kevin Hofbauer). They’re not exactly a “matching set”. Sam has a superficial interest in movies but is more interested in the pay cheque, while Avery is a movie nerd who specifically sought work at The Flick because they still showed movies on film, not digital. Rose is a bit of a party girl who has little interest in, or connection with, the cinema. She’s a hardened cynic, working (ostensibly) to allow people to escape from the cynicism of the world for a couple of hours. These three disparate personalities are thrown together in a largely uncaring workplace and left to their own devices.
Along the way though, Baker and director Nadia Tass (well-known for both her theatre work like MTC’s Disgraced, and her work on film and TV) create some exquisite moments. For example, there’s a minor motif in the play where Sam and Avery play “six degrees of separation”. Film buff Avery is able to rattle off chains of movies to connect even the most obscure pairings. Later however, we learn that his connections to real people in his life are virtually non-existent. Rose’s hard exterior becomes more and more brittle as the play progresses and she comes to realise there’s more to life than making a buck. Sam desperately wants to follow his dream, but is too scared to make a decisive move. If these remind you of the Scarecrow, the Tin Man and the Cowardly Lion from The Wizard of Oz, you may just be on to something.
There are also some intriguing power struggles and sexual politics going on within the trio. Despite her don’t-care attitude, Rose actually has a kind of superiority over Sam by virtue of her role as projectionist; something that proves a flash point later on. Sam clearly holds a torch for Rose; but she only has eyes for Avery – who seems singularly uninterested in anything of the sort (although exactly why is never spelled out). This leads to a highly awkward encounter.
So far as I can tell from the movie references, the play is set in 2012, which would have been contemporaneous with when Baker wrote it. Some of the pop-culture references are quite specific, which might affect its “shelf life”, although the cachet of the Pulitzer Prize will no doubt extend that somewhat.
For all its fine attributes though, I suspect The Flick will be one for theatrical purists. This play makes a lot of demands, and those with a passion for the stage will probably be able to meet them. It is playing at the Cremorne Theatre at QPAC until 5 March 2017.
David Edwards
Other reviews you might enjoy:
- Mouthpiece (QT) – theatre review
- Gaslight (Queensland Theatre) – theatre review
- Neon Tiger (La Boite) – theatre review
David Edwards is the editor of The Blurb and a contributor on film and television