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Manon (The Australian Ballet) at Regent Theatre – ballet review

What a glorious production of Sir Kenneth MacMillan’s choreographed Manon, which showcases all that is great about ballet. Featuring artists of The Australian Ballet with Orchestra Victoria, under the baton of Charles Barker, the staging is inspired, the costuming magnificent and the dancing sublime. Based on Abbé Prévost’s 1731 novel, love is pitted against money,…

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Chicago (QPAC) – theatre review

Even before the QPAC curtain raises on Chicago, its experience is evocative, with a black derby hanging on the back of a black downstage chair, as signpost to the show’s indelible choreographic style and Fosse-esque attention-to-detail. The story of murder, greed, corruption, violence, exploitation, adultery and treachery (as its opening lines impart) is set in…

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The Promised Land – movie review

Based on a true story and set in Denmark in the mid 1700s, The Promised Land reunites star Mads Mikkelsen with director Nikolaj Arcel (who directed him in 2012’s A Royal Affair). Impoverished former soldier Ludvig Kahlen (Mikkelsen) lives on his meagre army pension. But he has a grand dream and sets out to tame…

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The Cakemaker – movie review

A sensitively woven tale of love and loss, The Cakemaker leaves an indelible impression. Thomas (Tim Kalkhof), a young German baker, is having an affair with Oren (Roy Miller), an married Israeli man who frequently visits Berlin on business. When tragedy befalls Oren in Israel, Thomas travels to Jerusalem seeking answers regarding his death. Under…

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