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The Way Out (Red Stitch) – theatre review

A compelling doomsday scenario underpins the dystopian drama, The Way Out. Mankind is hanging by a thread after a civil war 15 years earlier. The air is polluted. Facemasks are mandatory for survival outdoors. Unless sanctioned, travel is banned outside one’s “zone”. All clothing is synthetic. Food is of a low quality and in short supply, while much…

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New music round-up

Our selection of the best new music across a range of genres from the week ending 5 February 2021. Hot on the heels of their acclaimed recording of Britten’s Peter Grimes, Stuart Skelton and Edward Gardner join forces with Christine Rice and the BBC Symphony Orchestra for this fascinating programme of early twentieth-century works. Schoenberg’s…

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Crimes of the Future – movie review

David Cronenberg’s first feature film in eight years sees the master of smart but visceral horror back in the groove. Crimes of the Future (2022*) is a gripping but gruesome exploration of how technology and the human body intersect. As such, this film can be considered the long-delayed (Cronenberg wrote it in 1999 but shelved…

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