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The Importance of Being Jewish (Saltpillar Theatre) – theatre review

A romp, The Importance of Being Jewish showcases playwright Rob Selzer’s insight and wit. For the past 30 years, architect Ray (Joe Tigel) has been happily married to couples’ therapist Rosh (Natalie Shostak). They are social Jews (as distinct from religious), but are delighted their strong-willed lawyer daughter Tara (Romi Freedman) is about to marry a fellow…

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Bullet Train – movie review

People and cultures collide in David Leitch’s literally fast-paced action thriller, Bullet Train. Leitch (Deadpool 2) uses his stylised but often profuse violence to great effect in this rollicking tale of intersecting characters and agendas. And while the film is hardly cerebral, I found myself swept along by it. Screenwriter Zak Olkewicz adapts Kôtarô Isaka’s…

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Employee of the Month – movie review

Vincent Peltier’s (Jerome Commandeur) life is on the line in the often-hilarious French comedy Employee of the Month. When travelling through the Ecuadorian jungle, he’s captured by a hostile tribe. It is up to the chief of the tribe (Jean-Louis Loca) – who doesn’t trust white people – to decide his fate and it looks…

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Juniper – movie review

She’s rude, belligerent and overbearing, and proud of it. She’s crippled and ailing, drinks like a fish and has been a war photographer. She’s Ruth (Charlotte Rampling), a straight-talking English woman, and the central character in Matthew Saville’s film Juniper. It’s 1992. Ruth is visiting her son Robert (Martin Csokas) and grandson Sam (George Ferrier)…

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Falling for Figaro – movie review

This enjoyable if somewhat formulaic romantic comedy comes from Australian filmmaker Ben Lewin, who gave us The Sessions with Helen Hunt and John Hawkes in 2012. Successful and ambitious fund manager Millie (Danielle Macdonald,) quits her job just as she receives a promotion and sets out to become an opera singer. This despite having no…

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Murder Party – movie review

The title Murder Party has both sinister and fun overtones. In reality, what you get with this movie is a highly orchestrated game, in which death is the central component. Fear of being knocked off drives the action. Jeanne Chardon-Spitzer (Alice Pol) is a highly stressed, 35-year-old architect. While successful, she frets about each potential…

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