After the expanding and chance taking electronics on his last album, Sonderlust (2016), Kishi Bashi pulls back into his more comfortable chamber pop floating compositions while now bringing a much more forward indie folk to the front. It works. Two stand out tracks that highlight the folk happenings here is the foot tapper “Angeline” that is easy to sing along with while the closer “Annie, Heart Thief Of The Sea” is a full-on rag time banjo driven knee slapper. Of course, Kishi Bashi’s staple sound swoops in on the wistful “Marigolds” with its echoing harmonies and delicately played instruments. “Summer Of ’42” is another track that could have been on Kishi Bashi’s earlier records with its feverish orchestra strings and his humming along vocals. They represent the type of songs longtime fans came to hear.
Omoiyari can be depressing when you dive into the lyrics but Kishi Bashi’s delivery never opens that door. Near its conclusion, you get the almost instrumental “A Meal For Leaves” followed by the big movie soundtrack sounds of “Violin Tsunami” which together provides some closure to the story. Omoiyari is rooted with its lyrical substance and continually grows with the talented supporting musicians that play on the album while completely maxing out its potential with Kishi Bashi’s vocal perfection. It’s an album that never tires and will sound as fresh 5, 10, or 20 years from now.
Christopher Anthony
For more of Christopher Anthony’s music reviews, check out The Fire Note
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