Noises Off has been around for a few decades – it was written by British playwright Michael Frayn in 1982. And unlike The Play That Goes Wrong or Fawlty Towers, it feels like it. The farce appeared dated to me and it was inclined to push the envelope too far at every turn.
Even though the performance of the first act of the faux production changes slightly by virtue of everything going wrong from the first to the third run-through, by the final try I was over it. I say that notwithstanding the ad libs into which the third effort descends. Nevertheless, I preferred act two of Noises Off to what went before interval. While there were laughs in both acts, the high farce escalated after the break.
Simon Burke is superb as the snooty, egotistical director whose libido knows no bounds. The references to sardines – the most oft used prop – became too numerous. The highly developed rotating set, showing front of house and behind the scenes, is a master class in design and functionality. It works a treat.
As a result, while not without merit, Noises Off ended up less than totally satisfying. Sam Strong directs the nine strong cast in the 2 hour 35 minute (including interval) play. It is at the Playhouse, Arts Centre Melbourne, until 12 August 2017.
Alex First
Other reviews you might enjoy:
- Noises Off (QT) – theatre review
- The Curious Incident of the Dog in the Night-Time – theatre review
- Cosi (MTC) – theatre review
David Edwards is the editor of The Blurb and a contributor on film and television