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No Obligation (The Linda Lindas) – music review

The Linda Lindas burst onto the scene in 2021 with a viral performance at the Los Angeles Public Library, captivating the world with their powerful song, “Racist, Sexist Boy”. The band, made up of four young musicians — Lucia and Mila de la Garza, Eloise Wong, and Bela Salazar — channels youthful energy and a passion for social justice through their music. Despite still being in school, they’ve toured with iconic punk bands like Green Day and made waves with their unfiltered, heartfelt approach to punk rock.

No Obligation marks their second full-length album and, despite their age, solidifies their standing as a band that refuses to conform to expectations. The record is an unapologetic statement of independence, showcasing their ability to blend genres and themes effortlessly. Each track feels like a bold declaration of identity and freedom, with the band pushing their songwriting and performance skills further. Recorded during school breaks and weekends, No Obligation captures a raw yet polished sound, reflecting the duality of being young and fiercely driven. The Linda Lindas make it clear they’re forging their own path, and it will be exciting to see where they go next!

No Obligation showcases The Linda Lindas’ growth as songwriters and musicians. Where their debut had the exuberance of a band bursting onto the scene, this album feels more deliberate in its execution. They experiment with tempo changes, varied vocal deliveries, and more intricate arrangements, while maintaining the signature punk energy that first drew attention. Their growing comfort in the studio is evident, allowing them to explore new textures and layers without losing the spark that made them stand out.

The album blends a wide array of genres, including punk, post-punk, garage rock, and new wave. The Linda Lindas pull from their diverse influences to create a sound that’s both nostalgic and fresh. Gritty guitars, energetic drumming, and catchy hooks drive their music, while the variety of styles keeps things dynamic. Their songs transition smoothly from fast-paced, anthemic punk tracks to more melodic, introspective pieces.

Don’t underestimate The Linda Lindas because of their age. If you enjoy the fierce energy of Bikini Kill, the genre-blending of The Go-Go’s, and the defiance of Sleater-Kinney, No Obligation has plenty to offer. The Linda Lindas also channel the spirit of newer punk revivalists like Amyl and The Sniffers, while nodding to the rock vibes of Momma and the punk-pop sensibilities of Green Day and Shonen Knife.

The album opens with the scorching title track, “No Obligation”, where Eloise Wong’s commanding voice sets a defiant tone. It’s a gritty, hard-edged punk rocker that immediately shatters any preconceptions about the band’s sound. “Too Many Things” captures a sense of urgency, balancing chaos with control, while “Revolution / Resolution” delivers a fiery, high-energy anthem reflecting the band’s political and personal convictions. “All In My Head”, with its infectious melody and introspective lyrics, stands out, showcasing their knack for blending catchy tunes with meaningful content. “Yo Me Estreso”, sung entirely in Spanish, highlights their cultural roots and creativity, featuring a unique collaboration with “Weird Al” Yankovic on accordion. Yankovic’s inclusion may sound out of place, but the song works surprisingly well.

The lyrics are both direct and deeply resonant, tackling themes of personal autonomy, societal pressure, and self-expression. Their words capture the emotional landscape of young adulthood, from frustration and rebellion to introspection and hope. Despite their youth, their writing feels wise beyond their years, making it easy to connect with their message—whether they’re shouting about injustice or reflecting on personal struggles.

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