The world premiere comedy Lottie in the Late Afternoon explores some big questions. What is life all about? Can it be meaningful? What is the path to true happiness?
LA-based Australian playwright and screenwriter Amelia Roper gives us an exaggerated sense of reality with Lottie in the Late Afternoon. So much that happens is about excessive reactions and interactions. Loneliness and isolation play a significant part in what unfolds.
The play has a Seinfeld-meets-Samuel-Beckett feel to it. And it features first-rate performances. All the quartet are excellent. Some of the best lines – and there are some humdingers – go to Hasler, whose character suffers from low self-esteem; and to Maitland, who rides each bump as if it were a boulder.
Lottie in the Late Afternoon is yet another triumph for The Kin Collective, which was formed in 2011 with a commitment to fine acting and the art of storytelling. It’s playing at fortyfivedownstairs until 30 September 2018.
Alex First
Other reviews you might enjoy:
- Venus in Fur (Lightning Jar) – theatre review
- Bouncers (heartBeast) – theatre review
- A Pacifist’s Guide to the War on Cancer (Malthouse) – theatre review
David Edwards is the editor of The Blurb and a contributor on film and television