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Apologia (Malthouse Theatre) – theatre review

Creative – yes. Original – my word. Captivating – not so much. I struggled with Apologia, which is a reflection on language, interpretation and communication across boundaries. It is a piece for selective tastes. Apologia is a bold undertaking and there is absolutely nothing wrong with that. In fact, I commend courageous theatre. The problem…

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Only Child (Chapel Off Chapel) – theatre review

The moral dilemma. Juicy. Delicious. Ideal for the stage. It is at the heart of Only Child, a new play from Leah Annetta. Divorced, uptight Veronika (Sarah Hallam) runs a wedding planning business. She lives with her mother Barbara (Michele Stayner) and her high achieving, 18-year-old daughter Anika (Alessandra Alessio). Anika, in her final year…

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