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The Irreducible (Blank Space Productions), at Theatre Works’ Explosives Factory – theatre review

Masterful and highly imaginative comes this trans-formative piece of theatre making. From the get go, I was intrigued and stimulated. Entering the theatre space felt like stepping onto the set of a high budget science fiction movie. It was visually arresting. Eerie, otherworldly music was playing. Tinged in green was shiny black scaffolding that constituted…

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The Phantom of the Opera (Handa Opera), at Mrs Macquarie’s Point – musical theatre review

Superlatives can’t do justice to a magnificent Handa Opera production of The Phantom of the Opera on its 40th anniversary. With the Sydney Opera House and Harbour Bridge as a spectacular backdrop, the leads are glorious, the chorus captivating and the production values mesmerising. As far as the staging goes, only outdoors could you achieve…

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Femoid (Vixen Theatre Company), at Theatre Work’s Explosives Factory and the Old Fitz Theatre – theatre review

A pathological hatred and disdain for women is brought into sharp focus in a searing production from Vixen Theatre Company. Frankly, what is depicted on screen behind the actors disgusted me. And what makes it more appalling is that every word of it is true. Welcome to the domain of incels (involuntary celibates) and “manosphere”…

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