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Julia (STC) – theatre review

Brilliantly performed by Justine Clarke who, as the 27th Australian Prime Minister, displays determination, indignance and frustration, I would suggest one’s political predilection will have a fair say in how Joanna Murray-Smith’s words go down. As the writer, the latter has combined fact and fiction. She has taken incendiary language from shock jocks, political opponents and…

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Fences (STC) – theatre review

We’re among African Americans in a working-class suburb in Pittsburgh, Pennsylvania in the 1950s. Although affable when it suits him, Troy Maxon (Bert Labonte) can be a hard man to stomach. A garbage collector, he has a “my way or the highway approach” and sometimes the choices he makes are decidedly ordinary. His upbringing was far from desirable….

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Madama Butterfly (Opera Australia’s Handa Opera) – opera review

Opera Australia’s Handa Opera Madama Butterfly sears with emotion. It is a splendid and spectacular offering, with surprises, against the backdrop of the Sydney Harbour Bridge and the Opera House. The story concerns a US navy lieutenant named Benjamin Franklin Pinkerton who takes advantage of a beguiling former Japanese geisha, Cio-Cio-San, in Nagasaki. While she – nicknamed…

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The Goat or, Who is Sylvia? (STC) – theatre review

Intelligent couple Stevie (Claudia Karvan) and Martin Gray (Nathan Page) have been happily married for 22 years. They have a 17-year-old gay son, Billy (Yazeed Daher) and all live a good life. Martin, who has just turned 50, has had, arguably, the finest week of his professional life. He has just been awarded the premiere prize for architecture,…

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