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Bronte (Genesian) – theatre review

Greatness often emanates from very humble beginnings. The story of the Bronte sisters, Charlotte, Emily and Anne, is one such example. In Bronte, writer Polly Teale provides context about how three cloistered sisters wrote English literary classics such as Jane Eyre, Wuthering Heights and The Tenant of Wildfell Hall. Polly Teale’s storytelling is engaging and…

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Shhhh (Red Stitch Theatre) – theatre review

Loneliness. Pain. Emotional connection. Desire. Sexual kinks. Consent. That is US writer Clare Barron’s Shhhh, which has its Australian premiere at Red Stitch Theatre. Bold, confronting and, on occasions, perplexing, it is a play that concerns itself with sexual assault, rape culture, mental and physical wellbeing, and the sisterhood. Playwright Shareen (Jessica Clarke), who suffers from a…

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Just a Boy, Standing in Front of a Girl (fortyfivedownstairs) – theatre review

With five in the cast on a catwalk-like stage, this is a modern, generally slapstick and cartoonish interpretation of Euripides’ Greek tragedy Medea. In the historic work, Medea seeks revenge on her unfaithful husband. In Jane Miller’s Just a Boy, Standing in Front of a Girl, all the characters have received a contemporary makeover. Further, misogyny, fat shaming…

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Is God Is (MTC) – theatre review

Revenge is the cornerstone of Is God Is, an incendiary play that explodes onto the MTC stage. What a hard life twins Anaia (Henrietta Enyonam Amevor) and Racine (Masego Pitso) have had in America’s south. It is a legacy of an ugly incident sparked by their father (Kevin Copeland) who tried to burn to death their mother…

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