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Rodgers + Hammerstein’s Cinderella (QPAC) – theatre review

Opera Australia’s production of Rodgers + Hammerstein’s Cinderella is glorious from the get go. Though there is no real standout number, the musical’s soundtrack is glorious and easy-on-the-ear, filled as it is with recognisable Rogers and Hammerstein  melodies and lyrics. Anna Louizos’ set design is superb, featuring slick transitions through scenes the sometimes include animal hand…

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Anna K (Malthouse Theatre) – theatre review

By their very nature, human relationships are often messy. The vast majority don’t hit the headlines, but public figures are considered “fair game”. So, it is that 44-year-old television anchor Anna Kay (Caroline Craig) starts trending and is “slut shamed” when she takes up with 27-year-old SAS soldier Lexie (Callan Colley). Their relationship began after she interviewed…

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Hairspray (Regent Theatre) – theatre review

The spark burns brightly in Hairspray, a delightfully breezy musical with discrimination as its theme. It is colourful and dynamic, with toe-tapping tunes, smooth moves and a stellar cast, with talent to burn. The show positively sizzles, bringing frenzied acclamation from an appreciative audience. We’re in Baltimore in 1962. Teenager Tracy Turnblad (Carmel Rodrigues) is small of stature…

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The Importance of Being Jewish (Saltpillar Theatre) – theatre review

A romp, The Importance of Being Jewish showcases playwright Rob Selzer’s insight and wit. For the past 30 years, architect Ray (Joe Tigel) has been happily married to couples’ therapist Rosh (Natalie Shostak). They are social Jews (as distinct from religious), but are delighted their strong-willed lawyer daughter Tara (Romi Freedman) is about to marry a fellow…

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