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Children of the Black Skirt (The Curators) – theatre review

Symbolic contrasts abound within The Curators’ stylish production of Angela Betzien’s Children of the Black Skirt, starting from its initial folly of youthful frolic and then soon-after stark at-attention responses of children in-fear. This establishes both the aesthetic sophistication and the narrative premise of the now-iconic work which is set in an abandoned orphanage that…

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Giselle (The Tokyo Ballet) – ballet review

The Tokyo Ballet’s romantic, tragic and haunting Giselle is spectacular. It looks and sounds magnificent. It is the story of a charming and naïve peasant girl with a weak heart, who attracts the attention of a woodsman, Hilarian and a count in disguise, Albrecht. Giselle falls for the latter, but humiliated, the former vows revenge. That comes when…

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Away (Theatre Works) – theatre review

It is the summer of 1967 and the Vietnam War remains troubling. Young Australians are being drafted to serve. Back home, life continues. Tom (Rupert Bevan) and Meg (Cait Spiker) are in a high school production of Shakespeare’s A Midsummer Night’s Dream. Tom takes a fancy to Meg and engages her in awkward conversation. When their respective parents…

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Bronte (Genesian) – theatre review

Greatness often emanates from very humble beginnings. The story of the Bronte sisters, Charlotte, Emily and Anne, is one such example. In Bronte, writer Polly Teale provides context about how three cloistered sisters wrote English literary classics such as Jane Eyre, Wuthering Heights and The Tenant of Wildfell Hall. Polly Teale’s storytelling is engaging and…

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Shhhh (Red Stitch Theatre) – theatre review

Loneliness. Pain. Emotional connection. Desire. Sexual kinks. Consent. That is US writer Clare Barron’s Shhhh, which has its Australian premiere at Red Stitch Theatre. Bold, confronting and, on occasions, perplexing, it is a play that concerns itself with sexual assault, rape culture, mental and physical wellbeing, and the sisterhood. Playwright Shareen (Jessica Clarke), who suffers from a…

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Just a Boy, Standing in Front of a Girl (fortyfivedownstairs) – theatre review

With five in the cast on a catwalk-like stage, this is a modern, generally slapstick and cartoonish interpretation of Euripides’ Greek tragedy Medea. In the historic work, Medea seeks revenge on her unfaithful husband. In Jane Miller’s Just a Boy, Standing in Front of a Girl, all the characters have received a contemporary makeover. Further, misogyny, fat shaming…

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