In the vein of the TV sitcom Seinfeld (1989-1998) and perhaps best summed up as “much ado about nothing”, Untitled Three-Hander deals with several inconsequential issues. Mind you, at the heart of this new work by Hayden Hayes is human connection and a desire to be wanted and needed. The title is a deliberate misnomer. Untitled Three-Hander…
The seemingly inexplicably-named Capricorn sees its action play out in the metaphoric fishbowl of a couple’s home…. or perhaps it is that we are in the water with them, as is suggested by teal-toned chair covers of audience seating at its world premiere in La Boite’s Roundhouse Theatre. It’s a confusion the perhaps sums up…
A blood curdling scream at 2:22am sets the scene for a ghost story with a twist. Eleven months ago Jenny (Gemma Ward) gave birth to daughter, Phoebe. She and her astronomer husband Sam (Remy Hii) have also moved into a large, old home, which they bought from an Italian widow. They are in the throes of painting the…
Caroline Lee takes the stage as June, a woman of a certain age who hasn’t spoken to another person in more than a year. So, over that period – apart from accidentally speaking out aloud – she has lived in silence. Now June is taking us, the audience, into her confidence to break the drought and explain…
Imagine a well-spoken woman of a certain age describing the sex life of slugs, before transitioning to elaborate upon a swap and trade social media platform. That is what you get at Theatre Works’ Explosives Factory with Rough Trade, which happens to be the moniker for a quirky, private Facebook group. Unlike Marketplace, the exchange of money…
What a superb visual and aural feast Walanbaa Yulu-Gi is and how it has metamorphosised since Burn the Floor first burst onto the scene 25 years ago. Featuring the incredibly talented First Nations’ performer Mitch Tambo, the production has no shortage of sizzle. The deft footwork … the singing … the showmanship is top shelf all the…
A new Australian musical, Bloom hits the right notes. The delivery of effective aged care remains a contentious issue that has brought great consternation to many, before, during and after the COVID-19 lockdowns. Writer Tom Gleisner has taken that and run with it to create a humour-filled portrait of a facility for the third generation in desperate…
David Eldridge’s well-written two-hander Beginning has a runtime of 1 hour 40 minutes, without interval. Yet its story appears to fly by in what seems like the shortest of times, such is its well-written script of witty, but also honest banter of two singles, drawn together at a party’s end. It is in intimate real…
A tension-filled head scratcher, unease is apparent from the get-go in Far Away. A young girl, Joan (played by Noray Hosny, who alternates in the role with Darcy Sterling-Cox), is spending the night at her aunt Harper’s (Alison Whyte) place. It is the wee small hours and both are still up. Joan tells Harper she heard shrieking. Her…
Symbolic contrasts abound within The Curators’ stylish production of Angela Betzien’s Children of the Black Skirt, starting from its initial folly of youthful frolic and then soon-after stark at-attention responses of children in-fear. This establishes both the aesthetic sophistication and the narrative premise of the now-iconic work which is set in an abandoned orphanage that…
