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La Boheme (Opera Australia) – theatre review

This captivating production of Puccini’s popular classic leaves an enduring memory for the rusted-on opera fanatic and the novice first-time visitor alike. For this is a ‘roadshow’ version. A touring production with an outstanding cast and with creative qualities second to none. Opera Australia is taking its product to the people. An eight-week extensive circuit…

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Topdog/Underdog (MTC) – theatre review

Acclaimed actor Bert LaBonté makes his directorial debut with the Pulitzer Prize winning comedic drama Topdog/Underdog. It is a two-hander, involving African-American brothers. Lincoln (Damon Manns) has (temporarily) moved into his younger brother Booth’s (Ras-Samuel) small, rented apartment, which has no toilet or running water. That follows Link’s break up with his wife, Cookie (who…

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JENNIE! (Gasworks) – theatre review

If I reference the word “suffragette”, the first name that will pop into many people’s heads will be Emmeline Pankurst (1858 – 1928). In 1903, she was a founding member of the Women’s Social and Political Union in the UK, which adopted the motto “deeds, not words”. Another associated with the movement was Sarah Jane…

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Apologia (Malthouse Theatre) – theatre review

Creative – yes. Original – my word. Captivating – not so much. I struggled with Apologia, which is a reflection on language, interpretation and communication across boundaries. It is a piece for selective tastes. Apologia is a bold undertaking and there is absolutely nothing wrong with that. In fact, I commend courageous theatre. The problem…

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