Calendar Girls was a real hoot when it came out as a movie featuring Helen Mirren and Julie Walters in 2003. I wish I could say the same about the play I saw at the Athenaeum Theatre – but in all good conscience I can’t. Tim Firth adapted the script from his hit film, which…
Beautiful: The Carole King Musical is a showcase of all that is great about musical theatre. The music is outstanding – hit after glorious hit – with superb voices to match. The story is beautifully crafted, with plenty of humour, heart and pathos. The staging is colourful, the set changes frequent and seamless, and the pacing…
Slapstick humour abounds in MTC’s revival of Noel Coward’s outrageous comedy Hay Fever. Set in an English country house in the 1920s, the play deals with the four eccentric members of the Bliss family and their outlandish behaviour. Each invites a guest to spend the weekend, without initially telling the others. Sorel (Imogen Sage) and…
An octoroon is a person who has one-eighth black heritage. This now-politically-incorrect titular understanding is at the centre of Queensland Theatre’s An Octoroon we are told in a meta-theatre pre-emptive explanation of the Act Four function in melodrama. The clarification is not necessary, but appreciated given all that is going in American writer Branden Jacobs-Jenkins’…
A little over a year ago, the Victorian government was presented with the idea of building a full-scale working replica of Shakespeare’s theatre, the second Globe, to be filled with a festival of the Bard’s masterworks. The concept from founder and artistic director Dr Miles Gregory and executive director Tobias Grant originated a year before…
What a superb piece of writing, so magnificently realised … set up with a crackerjack opening monologue! Big Heart should be mandatory viewing in an ever-burgeoning multicultural Australia. Mother (Andrea Swifte) is affluent – significantly so. She has married and divorced twice and never aspired to give birth naturally. Now though, she decides the time…
Lip Service is a new Australian play that premiered in a separate production in London earlier this year with the title: Madame Rubenstein. That production featured the indomitable Miriam Margolyes, as Rubinstein and Frances Barber, as Elizabeth Arden. At the Ensemble we have Amanda Muggelton playing Madame Rubinstein, and it is a performance that I…
Without doubt Kinky Boots is the best new musical in years. It has everything: a great story line, wonderful characters, and toe-tapping music that moves the plot along. It’s such a joyful and refreshing spectacle to watch. I loved every damn minute of the two hours of music, dance, and drama. On top of all…
Accurate diagnosis and appropriate treatment for mental illness should be a given, but as history shows, often that’s not the case. In Asylum, two involuntarily institutionalised patients are put through the wringer by an overly officious (read: downright brutish) doctor. One is a young man, Ben (Steven Oktaras), who believes he is dead. Most of all, he…
A compelling doomsday scenario underpins the dystopian drama, The Way Out. Mankind is hanging by a thread after a civil war 15 years earlier. The air is polluted. Facemasks are mandatory for survival outdoors. Unless sanctioned, travel is banned outside one’s “zone”. All clothing is synthetic. Food is of a low quality and in short supply, while much…
