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Meredith Walker

Boy, Lost (Queensland Theatre) – theatre review

Part of Belloo Creative’s mission is to bring people and stories out of the shadows. Appropriately then, the female-led, award-winning company’s latest production, Boy, Lost covers the true story of one family’s loss and redemption. The years-in-the-making world premiere work has been adapted for the stage by Katherine Lyall-Watson from Kristina Olsson’s award-winning memoir. It…

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Othello (Queensland Theatre) – theatre review

Othello has long been one of Shakespeare’s most controversial plays, but with its challenges comes great potential. That potential is realised in Queensland Theatre’s production, part of the 2022 Brisbane Festival program. It is an electric adaption that approaches the tragedy from a uniquely-Queensland perspective. Jimi Bani and Jason Klarwein inject Australian and Torres Strait Islander…

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Rodgers + Hammerstein’s Cinderella (QPAC) – theatre review

Opera Australia’s production of Rodgers + Hammerstein’s Cinderella is glorious from the get go. Though there is no real standout number, the musical’s soundtrack is glorious and easy-on-the-ear, filled as it is with recognisable Rogers and Hammerstein  melodies and lyrics. Anna Louizos’ set design is superb, featuring slick transitions through scenes the sometimes include animal hand…

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