Slingsby’s production of Oscar Wilde’s The Young King (adapted for the stage by Nicki Bloom) is a deceptively simple but lusciously layered show. That is once the acclaimed Adelaide theatre company’s show actually starts as before the audience makes it into the theatre space, things begin with an immersive entry process through the Cremorne Theatre…
The Curators’ homage to great Norwegian playwright Henrick Ibsen’s controversial Ghosts is innovative from even the initial moments. Smoke haze meets the audience on entering the Vintage Pop-Up Theatre in Red Hill’s St Barnabas Hall. In opening, characters emerge to move forward towards us from behind a makeshift plastic scrim screen. A menacing soundtrack signals…
Early into Meyne Wyatt’s semi-autographical play City of Gold, feisty activist Carina (Shari Sebbens) speaks at a press conference following a protest in Kalgoorlie, condemning vigilantism and demanding justice. We need to wake up and listen in order to heal, she tells the unseen media and also the show’s audience. It’s a call to attention…
Yank was a weekly magazine published by the United States military for its servicemen from 1942 – 1945. It’s the magazine where an awkward young man called Stu (Andy Johnston) partners with photographer Artie (Eli Cooper), who is also ‘light in the loafers’, to report stories. After Stu’s call-up, before he goes off to join…
The pre-show soundtrack of “Teenage Dirtbag” type songs seems to be an apt choice ahead of La Boite Theatre’s Romeo and Juliet reminding its audience of the youth at the core of this story of vulnerable teenagers infatuated in spite of their familial-tie expectations. We see it on stage also in the show’s performances and…
According to American novelist Flannery O’Connor, “the beginning of human knowledge is through the senses”. This underpinning of human perception is at the core of playwright Elise Grieg’s world premiere work Magpie; its all-encompassing description offers theatre-goers immersion into the experience of a Brisbane summer, where thunderstorms threaten for longer than they onslaught and nothing…
If you haven’t heard of Kill Climate Deniers you probably should have. The hyperbolically titled play’s controversial take on the contentious climate change debate in Australia saw it hit the headlines in 2014 when its playwright David Finnigan received $19 000 from Arts ACT to write a play exploring climate change and Australian politics. The…
Premiering to rave reviews in 2015, The Dinner Party (former title The Host) is a gripping contemporary dance work from Queensland’s award-winning Expressions Dance Company. And in its 2019 reincarnation, the work, which is choreographed by internationally renowned choreographer and former Artistic Director Natalie Weir, has audience members once again absorbed, from the very first frame…
A pre-show soundtrack of Oz-rock classics adds an air of excitement to the experience of audience members awaiting the Brisbane season of Belvoir Theatre’s Barbara and the Camp Dogs by Ursula Yovich and Alana Valentine. It’s an effective emphasis of the pub rock atmosphere for anyone who hasn’t gathered the feel of set designer Stephen…
Brisbane Arts Theatre’s latest mainstage production sets a frenetic pace from its opening scene. It’s a necessity perhaps given its stated aim to share the complete history of comedy, albeit abridged. What follows is a somewhat comprehensive trip through comedy in many of its guises. These include the memorable tell of ‘the chicken’ and its…
