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Alex First

Alex First is the editor of The Blurb. Alex is a Melbourne based journalist and communications specialist. He also contributes to The Blurb on film and theatre.

Close – movie review

Belgium’s entry for Best International Feature at the Oscars, Lukas Dhont’s film Close won the Grand Jury Prize at Cannes last year. It’s a sensitive and distressing coming-of-age drama, characterised by beauty and darkness. Co-written by Dhont and Angelo Tijssens, the film allows the audience to interpret events, rather than prescribing an interpretation. Leo (Eden…

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Rone’s Time (Flinders Street Station) – art review

Geelong-born, Melbourne-based former street artist Rone (birth name Tyrone Wright) has crafted a remarkable time capsule three years in the making. It is set in the long-abandoned third floor wing of iconic, heritage-listed Flinders Street Station. Time is a nostalgic love letter to mid 19th century working class life in one of the world’s great cities. It is…

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Cruel Intentions: The 90’s Musical (Athenaeum Theatre)

Cruel Intentions: The 90’s Musical sizzles, with powerhouse performances and a rousing score. There’s palpable excitement and anticipation in the theatre even before the metaphorical curtain rises. Once it does, Cruel Intentions is energetic and electrifying, oozing with sensuality and sexuality. It is slick, moving along at pace and milking the copious double entendres and physical interaction that…

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Women Talking – movie review

Even though this is a work of fiction (termed “an act of female imagination”), the starting point for Women Talking was a recent real-life event in Bolivia. Between 2005 and 2009, more than 100 girls and women in a remote Mennonite colony discovered they had been raped in their sleep.  A group of men from…

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Prima Facie (MTC) – theatre review

Tessa Ensler (Sheridan Harbridge) is a successful barrister. She knows the tricks of the trade and defends her clients – many alleged sexual offenders – vehemently. She relishes the game … circling witnesses until she is ready to pounce, having lulled them into a false sense of security. She is good … very good. Those who know her,…

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Coming Out (Chapel Off Chapel) – theatre review

Showmanship, humour, pathos, anger, overt messaging and song are part of this well-meaning but noticeably stretched offering. At its core is a gay man, Cole (Stephen Loftus), now comfortable in his own skin, although it wasn’t always that way. He talks about his school years and coming out to his parents. And then, after Cole references a mentor…

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