Aurore is an unobtrusive little charmer of a French comedy.
Writer and director Blandine Lenoir (Zouzou) realised women in their 50s weren’t being adequately represented in cinema. She saw many women around her – those she regarded as incredible, beautiful and talented, whose exes had been able to make new lives for themselves – ending up in terrible loveless solitude. So Lenoir wanted to pay homage to these women and give them – and herself – the desire to grow old.
Agnes Jaoui is delightful in the lead role. She’s effortlessly believable as a woman struggling with hot flushes, andoften dissolving – without notice – into a flood of tears. Her interplay with Lou Roy-Lecollinet as her character’s younger daughter is among several low-key highlights in Aurore.
Overall, quirkiness and surprises give the film a lift. A number of these involve Aurore’s best friend Mano (Pascale Arbillot). He’s a real estate agent with the ability to shock, and regularly uses Aurore to help hasten sales.
I have a soft spot for French comedies, which frequently have a sensibility that you don’t find in American offerings. They have a language all of their own … and here is yet another example. Aurore is a small but welcome crowd pleaser.
Director: Blandine Lenoir
Cast: Agnes Jaoui, Lou Roy-Lecollinet, Pascale Arbillot
Release Date: 17 May 2018
Rating: M
Alex First
Other reviews you might enjoy:
David Edwards is the editor of The Blurb and a contributor on film and television