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The Duke – movie review

Art and crime have always been strange but frequent bedfellows. From the often-illegal activities of Caravaggio to the sensational art…

Morbius – movie review

Michael Morbius (Jared Leto) possesses a brilliant mind. But a rare blood disorder has left him crippled and in agonising…

Loveland (Robert Lukins) – book review

Robert Lukins’ Loveland, follow up to his debut The Everlasting Sunday, is an inter-generational family drama that takes readers from…

Heroes of the Fourth Turning (Red Stitch Theatre) – theatre review

Catholic guilt and US conservative politics are given a whack in the Australian premiere of Will Arbery’s Heroes of the…

Hamilton (Her Majesty’s Theatre) – theatre review

Dramatic, emotional, evocative. Electrifying. Triumphant. That is Hamilton, as good a musical as has appeared on stage. That’s right. Nothing yet seen…

Happy End (Arts Centre Melbourne) – theatre review

Slapstick humour characterises a little staged and decidedly different style of saints and sinners musical. Victorian Opera’s Happy End is set…

CLOSED: Win tickets to Nobody Has to Know

- Nobody Has to Know - Only in cinemas from 7 April 2022 We have 5 double in-season passes thanks…

When We Fall (Aoife Clifford) – book review

Although there’s plenty of it, there’s not yet a separate term for Australian rural noir set on the coast. Like…

Fresh – movie review

A film to put you off eating meat forever, Fresh on Disney+ is a twisted tale of depravity with some…

Nearer the Gods (Ensemble Theatre) – theatre review

It’s always a treat to see a David Williamson play. But with Nearer the Gods, set in England in 1684,…