The Frenchman (Jack Beaumont) – book review 3 years ago Jack Beaumont is not the real name of the author of The Frenchman, a book that itself is full of… Fatale – movie review 3 years ago The trashy Fatale is a latter day noir thriller that’s part Fatal Attraction and part Basic Instinct. But the longer… New music round-up (for w/e 7 May 2021) 3 years ago Our selection of the best new music across a range of genres from the week ending 7 May 2021. Ska-punk… The Pitts (Athenaeum Theatre) – theatre review 3 years ago Meet Carol and Daryl Pitts, aka Stephanie Marion Wood and Brendy Ford. They are a pair of wellness gurus who ply… June Again – movie review 3 years ago In JJ Winlove’s debut feature, June Again, a go-getting woman is gone. In her place is an empty shell. June… Honour (Ensemble) – theatre review 3 years ago “There’s nothing original about the skeleton of Honour, the play” says its writer Joanna Murray-Smith. I would agree. Its subject… Aida (Opera Australia) – opera review 3 years ago The opening night of Opera Australia’s spectacular staging of Verdi’s dramatic opera Aida was blighted by a major technical failure. The… Eric Carle’s The Very Hungry Caterpillar (Athenaeum Theatre) – theatre review 3 years ago What a sensational stage show for the littlies. There were toddlers and youngsters galore and excited parents and grandparents with them… The Million Masks of God (Manchester Orchestra) – music review 3 years ago The sixth album from alt/rock quartet Manchester Orchestra feels like the culmination of their 15 years as recording artists, bringing… Like Mother (Cassandra Austin) – book review 3 years ago Cassandra Austin’s debut All Fall Down was a sometimes dreamlike Australian gothic tale set in a rural country town. While… Next» « Previous