Mor(t)ality (The Butterfly Club) – theatre review 3 years ago Two strangers find themselves trapped in a barren room with a gun. They have no idea how they got there or… Sage Motel (Monophonics) – music review 3 years ago Monophonics have been serving up a high quality of soulful psychedelia since 2012’s In Your Brain. Over the years, the… The Candy House (Jennifer Egan) – book review 3 years ago Jennifer Egan returns to the world of her Pulitzer Prize winning novel A Visit from the Goon Squad in her… Dirt (Chapel Off Chapel) – theatre review 3 years ago What is fact and what is fiction? You are left asking that question after an exhilarating 50 minutes at Chapel Off… New music round-up (for w/e 27 May 2022) 3 years ago Our selection of the best new music across a range of genres from the week ending 27 May 2022. Visionary… The Sound Inside (MTC) – theatre review 3 years ago Two loners connect over literature. One is a 53-year-old Yale professor of creative writing. The other is a freshman who is… A Letter for Molly (Ensemble) – theatre review 3 years ago Knowing where we came from and understanding what shaped the lives of our descendants can be confronting. In the context… Schapelle, Schapelle – The Musical (Brisbane Powerhouse) – theatre review 3 years ago With a band dressed in tropical holiday garb, behind a XXXX-can perimeter, Brisbane Powerhouse’s Underground Theatre has an immediately relaxed… Maigret – movie review 3 years ago Hercule Poirot step aside; for Chief Inspector Jules Maigret is on the case. In director Patrice Leconte’s Maigret, Gerard Depardieu… How to Please a Woman – movie review 3 years ago What do women want? Writer/director Renee Webster explores the question in her debut feature film How To Please A Woman.… Next» « Previous