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Mor(t)ality (The Butterfly Club) – theatre review

 Two strangers find themselves trapped in a barren room with a gun. They have no idea how they got there or…

Sage Motel (Monophonics) – music review

Monophonics have been serving up a high quality of soulful psychedelia since 2012’s In Your Brain. Over the years, the…

The Candy House (Jennifer Egan) – book review

Jennifer Egan returns to the world of her Pulitzer Prize winning novel A Visit from the Goon Squad in her…

Dirt (Chapel Off Chapel) – theatre review

What is fact and what is fiction? You are left asking that question after an exhilarating 50 minutes at Chapel Off…

New music round-up (for w/e 27 May 2022)

Our selection of the best new music across a range of genres from the week ending 27 May 2022. Visionary…

The Sound Inside (MTC) – theatre review

Two loners connect over literature. One is a 53-year-old Yale professor of creative writing. The other is a freshman who is…

A Letter for Molly (Ensemble) – theatre review

Knowing where we came from and understanding what shaped the lives of our descendants can be confronting. In the context…

Schapelle, Schapelle – The Musical (Brisbane Powerhouse) – theatre review

With a band dressed in tropical holiday garb, behind a XXXX-can perimeter, Brisbane Powerhouse’s Underground Theatre has an immediately relaxed…

Maigret – movie review

Hercule Poirot step aside; for Chief Inspector Jules Maigret is on the case. In director Patrice Leconte’s Maigret, Gerard Depardieu…

How to Please a Woman – movie review

What do women want? Writer/director Renee Webster explores the question in her debut feature film How To Please A Woman.…