X

Romeo and Juliet (QSE) – theatre review

It’s taken the Queensland Shakespeare Ensemble until its 20th birthday year to finally mount a full production of arguably Shakespeare’s…

New music round-up (for w/e 27 August 2021)

Our selection of the best new music across a range of genres from the week ending 27 August 2021. “Everything…

CLOSED: Win tickets to Die in a Gunfight

- Die in a Gunfight - Only in cinemas from 16 September 2021 We have 5 double in-season passes thanks…

Fatigue (L’Rain) – music review

Sometimes records exist outside any conventional genres and challenge your ear around every corner. These albums also can produce some…

Candyman – movie review

If you combine Captain Hook with a swarm of bees you have an idea of the antagonists in the horror-thriller…

The Waiter (Ajay Chowdhury) – book review

In 2019, Ajay Chowdhury won the inaugural Harvill Secker/Bloody Scotland award aimed at discovering new crime writers from underrepresented communities.…

Beckett (Netflix) – movie review

The “wrong man” trope has a long cinematic history. It provided the basis for at least three Alfred Hitchcock classics…

New music round-up (for w/e 20 August 2021)

Our selection of the best new music across a range of genres from the week ending 20 August 2021. Recording…

Reminiscence – movie review

You don't have to look hard to see the shadows looming over Lisa Joy’s Reminiscence. The film is essentially a…

Sharecropper’s Son (Robert Finley) – music review

Robert Finley is a classic late bloomer. As the title of his sophomore album for Dan Auerbach’s Easy Eye label…