Fresh from another ambient project, Long Ambients 2, comes All Visible Objects, a return to the dance grooves of the 90’s on the front end but makes a turn toward the ambient in the album’s second half. The disc’s first single, “Power Is Taken” continues Moby’s political activism, with assists from Dead Kennedy’s drummer D.H. Peligro, while rapper Boogie does his best Zach de la Rocha (Rage Against the Machine) imitation. The second single, “Too Much Change” is an extended piano ballad, with vocal contributions by long-time Moby associate, Apollo Jane, who appears on four other tracks as well. The sad nostalgia for a simpler time is pervasive, here even if the quieter piano playing is juxtaposed with a somewhat sedate dance beat that stretches it out to nearly ten minutes.
While there’s a warm familiar feel to the album’s dance tracks, and a sedate, moody vibe on the piano tracks toward the end, there’s not a lot here that finds Moby moving in new, fresh directions. No one doubts that he’s a pro at bringing these sounds to a record in a pleasing way, but we’ve come to expect more, an artistic spark that suggests new possibilities or the kind of surprises that instantly bring a rush on the dance floor. One very positive thing here, is that all eleven tracks are set up to raise money for a variety or no-profit human and animal rights causes, so any downloads or purchases of these songs benefit numerous worthy causes.
Brian Q. Newcomb
For more of Brian Q. Newcomb’s music reviews, check out The Fire Note
Other reviews you might enjoy:
- Everything Was Beautiful, And Nothing Hurt (Moby) – music review
- Maybe We Could (Kllo) – music review
- Dropout Boogie (The Black Keys) – music review
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