The Social Reckoning (M) – 112 minutes – movie review
Inspired by fact, The Social Reckoning is one of my movies of the year. Based…
The Shark is Broken, at Athenaeum Theatre – theatre review
You may well have heard that shooting the movie Jaws (1975) was hardly a walk in the park. In fact, then 26-year-old director Steven Spielberg ran into all sorts of problems. He insisted it be shot in the ocean – the first picture filmed in that environment, rather than in a tank – making it…
Songs from the Canyon, at Hamer Hall and touring – concert review
Such a special sound at an unforgettable concert that is well worth travelling far and wide to see and hear. Mellifluous vocals reach deep into your soul. In short, it feels like a warm embrace of gentler times – of yesteryear. Every one of the 24 songs is simply so enticing in the hands of…
Mayfair: A New Musical, at Chapel Off Chapel – musical theatre review
The voiceover at the start of the show speaks volumes. “How old were you when you stopped playing?” The reference is to imaginative and unstructured play, to make believe, if you will. Young children, in particular, have it in spades. It happens automatically, intrinsically. In short, it takes very little effort. But as one grows…
Macy Gray: Live, at Hamer Hall and touring – concert review
The distinctive rasp and soul are there in abundance, as is the rhythm. In fact, syncopation is very much in her wheelhouse. Macy Gray and her most attractive sounding “wigged” band mates and backing singer and warm up act, soul and R & B singer Emi Secrest, are as one. Gray, resplendent in orange, has…
Young Frankenstein (Stagebugs Productions), at Theatre Works – musical theatre review
It is so silly, so over the top and so funny. If slapstick and physical humour are your bent, this has it in spades. Nineteen years after the outrageous Mel Brooks musical comedy opened on Broadway, Young Frankenstein comes to St Kilda’s Theatre Works. It is based on Brooks’ and Gene Wilder’s 1974 film that…
The Sleeping Beauty (The Stuttgart Ballet), presented by The Australian Ballet, at Regent Theatre – ballet review
Balletic excellence and stunning beauty characterise The Stuttgart Ballet’s adaptation of the classic fairytale popularised by the Brothers Grimm. With choreography by Marcia Haydée, after Marius Petipa, she and artistic director Tamas Detrich have crafted something quite delightful. It premiered in Stuttgart in May 1987. Unfolding in three acts, with two intervals, the first involving…
Housewarming, at Ian Potter State Theatre, Arts Centre Melbourne – theatre review
What a grand way to reintroduce the magnificent, newly renovated Ian Potter State Theatre to those who appreciate theatrical excellence. In short, hold a housewarming, with a cavalcade of top shelf entertainment to be savoured FOR FREE. That was the offering from Friday, 9th October through to Sunday, 11th October 2026 in seven, hour-long performances….
Alcotraz, at 592 Elizabeth Street, Melbourne – immersive theatre review
Locked up, with no place to go. After all, you are in a jail, with ocean all around (think Alcatraz). And yet a horrible infection is spreading. Inmates are dying. Still, at least moonshine is on the menu, even though the screws tell you it ain’t. Welcome to the immersive experience that is Alcotraz. As…
Cry-Baby: The Musical (Saltpillar Theatre), at Phoenix Theatre, Elwood – musical theatre review
You have built a reputation as a bad boy, even though the moniker is untrue, but try as you do, you can’t break the tag until the truth finally outs. That, in a nutshell, is the plot of Cry-Baby: The Musical, which opened on Broadway in April 2008. Set in 1954, it is based on…
The Social Reckoning (M) – 112 minutes – movie review
Inspired by fact, The Social Reckoning is one of my movies of the year. Based on the 2021 Facebook Files leak by whistleblower Frances Haugen (Mikey Madison) and the reporting of Wall Street Journal investigative journalist Jeff Horwitz (Jeremy Allen White), it is intoxicating. In fact, it is mighty scary and thrilling at the same…
