Bananaland (Brisbane Festival and QPAC) – theatre review
Bananaland opens in the wake of Covid’s decimation of the performing arts sector. Only the
Bananaland opens in the wake of Covid’s decimation of the performing arts sector. Only the
Rarely does a production come along that deserves the tag of ‘landmark’. In The Dismissal,
What is your anthem? It’s an early question that not only leaves audience members pondering,
The best storytelling comes from showing not telling… that is using action (or lack of,
The reach and influence of Vladimir Putin is breathtaking. In A Very Expensive Poison, writer
Bernadette Robinson’s new theatrical offering, Divas is currently on at the Sydney Opera House. In
The seemingly inexplicably-named Capricorn sees its action play out in the metaphoric fishbowl of a
David Eldridge’s well-written two-hander Beginning has a runtime of 1 hour 40 minutes, without interval.
Symbolic contrasts abound within The Curators’ stylish production of Angela Betzien’s Children of the Black
Sydney writer Chris Aronsten’s play Off the Record has had its world premiere at the