{"id":9792,"date":"2019-06-09T17:34:02","date_gmt":"2019-06-09T07:34:02","guid":{"rendered":"http:\/\/theblurb.com.au\/wp\/?p=9792"},"modified":"2019-06-09T16:05:02","modified_gmt":"2019-06-09T06:05:02","slug":"drive-theatre-works-theatre-review","status":"publish","type":"post","link":"https:\/\/theblurb.com.au\/wp\/drive-theatre-works-theatre-review\/","title":{"rendered":"Drive (Theatre Works) &#8211; theatre review"},"content":{"rendered":"<p>A driven, high achieving woman melts down when two relationships go awry in Drive.<\/p>\n<p>Writer Rebecca Meston was inspired by the true story of former NASA astronaut Lisa Nowak.\u00a0 You might remember Nowak as the person who drove non-stop for 14 hours to confront her ex-lover\u2019s new partner. Wearing a disguise, she also a knife, duct tape and lurid photos. She allegedly wore an adult nappy so she didn\u2019t have to stop.<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-9815\" src=\"https:\/\/i0.wp.com\/theblurb.com.au\/wp\/wp-content\/uploads\/2019\/06\/Drive-01.jpg?resize=560%2C374\" alt=\"\" width=\"560\" height=\"374\" srcset=\"https:\/\/i0.wp.com\/theblurb.com.au\/wp\/wp-content\/uploads\/2019\/06\/Drive-01.jpg?w=560&amp;ssl=1 560w, https:\/\/i0.wp.com\/theblurb.com.au\/wp\/wp-content\/uploads\/2019\/06\/Drive-01.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/theblurb.com.au\/wp\/wp-content\/uploads\/2019\/06\/Drive-01.jpg?resize=272%2C182&amp;ssl=1 272w\" sizes=\"auto, (max-width: 560px) 100vw, 560px\" \/><br \/>\nThis world premiere work re-imagines Nowak\u2019s story and her drive, mining the terrain of loss and disappointment. It counts down the hours till she reaches her destination.<\/p>\n<p>When the key character, played by Lizzy Falkland \u2013 kitted out in a blue astronaut suit \u2013 is on a mission, nothing can derail her. It&#8217;s a situation where nothing else matters. No man or child will stand in her way. Hence, Meston includes an awkward scene where a photographer (played by Ashton Malcolm) wants to take a series of stills with the astronaut and her husband (Christopher Pitman) and she is cold as ice. No smiles. No small talk. Just reluctant posing. Whe her husband implores her to spend time with their child (who we don\u2019t see) and she refuses because of her commitment to her job. Clearly, her priorities are mixed up, but this is a play about a jangled mind.<\/p>\n<p>As I mentioned, this is not just one but two relationship breakdowns \u2013 one with her husband and the other with a fellow astronaut (again played by Christopher Pitman). Ashton Malcolm also fills the role of her husband\u2019s partner.<\/p>\n<p>In a strong performance, Falkland doesn\u2019t disappoint as the astronaut. The character is all about intensity and focus.<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-9816\" src=\"https:\/\/i0.wp.com\/theblurb.com.au\/wp\/wp-content\/uploads\/2019\/06\/Drive-02.jpg?resize=560%2C374\" alt=\"\" width=\"560\" height=\"374\" srcset=\"https:\/\/i0.wp.com\/theblurb.com.au\/wp\/wp-content\/uploads\/2019\/06\/Drive-02.jpg?w=560&amp;ssl=1 560w, https:\/\/i0.wp.com\/theblurb.com.au\/wp\/wp-content\/uploads\/2019\/06\/Drive-02.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/theblurb.com.au\/wp\/wp-content\/uploads\/2019\/06\/Drive-02.jpg?resize=272%2C182&amp;ssl=1 272w\" sizes=\"auto, (max-width: 560px) 100vw, 560px\" \/><br \/>\nDirected by Sasha Zahra, with dramaturgy by Saffron Benner, Drive causes us to reflect on a dramatic fall from grace into insanity &#8211; or is it? Surely, all of us have a breaking point if the rubber band is stretched too tightly.<\/p>\n<p>Drive is playing at <a href=\"http:\/\/www.theatreworks.org.au\/program\/drive\/\" target=\"_blank\" rel=\"noopener noreferrer\">Theatre Works<\/a> until 15 June 2019.<\/p>\n<h4>Alex First<\/h4>\n","protected":false},"excerpt":{"rendered":"<p>A driven, high achieving woman melts down when two relationships go awry in Drive. Writer Rebecca Meston was inspired by the true story of former NASA astronaut Lisa Nowak.\u00a0 You might remember Nowak as the person who drove non-stop for 14 hours to confront her ex-lover\u2019s new partner. Wearing a disguise, she also a knife,&#8230;<\/p>\n","protected":false},"author":3,"featured_media":9817,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[801],"tags":[3,37,9,38,590,1354],"class_list":["post-9792","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-theatre","tag-drama","tag-melbourne","tag-play","tag-theatre","tag-theatre-review","tag-theatre-works"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Drive (Theatre Works) - theatre review -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theblurb.com.au\/wp\/drive-theatre-works-theatre-review\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Drive (Theatre Works) - theatre review -\" \/>\n<meta property=\"og:description\" content=\"A driven, high achieving woman melts down when two relationships go awry in Drive. Writer Rebecca Meston was inspired by the true story of former NASA astronaut Lisa Nowak.\u00a0 You might remember Nowak as the person who drove non-stop for 14 hours to confront her ex-lover\u2019s new partner. 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Now she pulls back the curtain to reveal her life as a stripper and sex worker \u2026 and she doesn\u2019t hold back. In fact, Frankie is bold and\u2026","rel":"","context":"In &quot;Theatre&quot;","block_context":{"text":"Theatre","link":"https:\/\/theblurb.com.au\/wp\/category\/theatre\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/theblurb.com.au\/wp\/wp-content\/uploads\/2025\/01\/rsz_img_1986.jpg?fit=800%2C600&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/theblurb.com.au\/wp\/wp-content\/uploads\/2025\/01\/rsz_img_1986.jpg?fit=800%2C600&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/theblurb.com.au\/wp\/wp-content\/uploads\/2025\/01\/rsz_img_1986.jpg?fit=800%2C600&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/theblurb.com.au\/wp\/wp-content\/uploads\/2025\/01\/rsz_img_1986.jpg?fit=800%2C600&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":168140,"url":"https:\/\/theblurb.com.au\/wp\/nihilistic-optimism-on-trampolines-at-theatre-works-theatre-review\/","url_meta":{"origin":9792,"position":3},"title":"Nihilistic Optimism On Trampolines, at Theatre Works &#8211; theatre review","author":"Alex First","date":"November 29, 2025","format":false,"excerpt":"In good conscience, I can\u2019t say I could recommend this play to \u2026 well, anyone. Within minutes, I was wishing I was anywhere else other than in Theatre Works watching Nihilistic Optimism On Trampolines. Seeing workers at a trampolining facility hooking up, bonding, squabbling and bored out of their tiny\u2026","rel":"","context":"In &quot;Theatre&quot;","block_context":{"text":"Theatre","link":"https:\/\/theblurb.com.au\/wp\/category\/theatre\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/theblurb.com.au\/wp\/wp-content\/uploads\/2025\/11\/rsz__mg_1791.jpg?fit=800%2C533&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/theblurb.com.au\/wp\/wp-content\/uploads\/2025\/11\/rsz__mg_1791.jpg?fit=800%2C533&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/theblurb.com.au\/wp\/wp-content\/uploads\/2025\/11\/rsz__mg_1791.jpg?fit=800%2C533&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/theblurb.com.au\/wp\/wp-content\/uploads\/2025\/11\/rsz__mg_1791.jpg?fit=800%2C533&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":148174,"url":"https:\/\/theblurb.com.au\/wp\/rough-trade-theatre-works-explosives-factory-theatre-review\/","url_meta":{"origin":9792,"position":4},"title":"Rough Trade (Theatre Works&#8217; Explosives Factory) &#8211; theatre review","author":"Alex First","date":"July 26, 2023","format":false,"excerpt":"Imagine a well-spoken woman of a certain age describing the sex life of slugs, before transitioning to elaborate upon a swap and trade social media platform.\u00a0That is what you get at Theatre Works\u2019 Explosives Factory with Rough Trade, which happens to be the moniker for a quirky, private Facebook group.\u00a0Unlike\u2026","rel":"","context":"In &quot;Theatre&quot;","block_context":{"text":"Theatre","link":"https:\/\/theblurb.com.au\/wp\/category\/theatre\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/theblurb.com.au\/wp\/wp-content\/uploads\/2023\/07\/rsz_20220906_roughtrade_seymour-9.jpg?fit=800%2C533&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/theblurb.com.au\/wp\/wp-content\/uploads\/2023\/07\/rsz_20220906_roughtrade_seymour-9.jpg?fit=800%2C533&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/theblurb.com.au\/wp\/wp-content\/uploads\/2023\/07\/rsz_20220906_roughtrade_seymour-9.jpg?fit=800%2C533&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/theblurb.com.au\/wp\/wp-content\/uploads\/2023\/07\/rsz_20220906_roughtrade_seymour-9.jpg?fit=800%2C533&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":143424,"url":"https:\/\/theblurb.com.au\/wp\/day-after-terrible-day-theatre-works-theatre-review\/","url_meta":{"origin":9792,"position":5},"title":"Day After Terrible Day (Theatre Works) &#8211; theatre review","author":"Alex First","date":"November 5, 2022","format":false,"excerpt":"Interactive theatre can be stimulating.\u00a0In the case of Day After Terrible Day, while creative, I found it totally perplexing. Upon arrival, patrons are divided into groups and led to the double doors of what turns out to be an unfinished mansion. Once ushered inside, perched on a 10-rung ladder at\u2026","rel":"","context":"In &quot;Theatre&quot;","block_context":{"text":"Theatre","link":"https:\/\/theblurb.com.au\/wp\/category\/theatre\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/theblurb.com.au\/wp\/wp-content\/uploads\/2022\/11\/rsz_mr2_7970.jpg?fit=800%2C532&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/theblurb.com.au\/wp\/wp-content\/uploads\/2022\/11\/rsz_mr2_7970.jpg?fit=800%2C532&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/theblurb.com.au\/wp\/wp-content\/uploads\/2022\/11\/rsz_mr2_7970.jpg?fit=800%2C532&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/theblurb.com.au\/wp\/wp-content\/uploads\/2022\/11\/rsz_mr2_7970.jpg?fit=800%2C532&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/theblurb.com.au\/wp\/wp-json\/wp\/v2\/posts\/9792","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theblurb.com.au\/wp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theblurb.com.au\/wp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theblurb.com.au\/wp\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/theblurb.com.au\/wp\/wp-json\/wp\/v2\/comments?post=9792"}],"version-history":[{"count":0,"href":"https:\/\/theblurb.com.au\/wp\/wp-json\/wp\/v2\/posts\/9792\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theblurb.com.au\/wp\/wp-json\/wp\/v2\/media\/9817"}],"wp:attachment":[{"href":"https:\/\/theblurb.com.au\/wp\/wp-json\/wp\/v2\/media?parent=9792"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theblurb.com.au\/wp\/wp-json\/wp\/v2\/categories?post=9792"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theblurb.com.au\/wp\/wp-json\/wp\/v2\/tags?post=9792"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}