{"id":687,"date":"2017-05-06T07:27:41","date_gmt":"2017-05-06T07:27:41","guid":{"rendered":"http:\/\/theblurb.com.au\/wp\/2017\/05\/06\/httptheblurb-com-aureviewscentral-intelligence-movie-review\/"},"modified":"2017-05-06T07:27:41","modified_gmt":"2017-05-06T07:27:41","slug":"httptheblurb-com-aureviewscentral-intelligence-movie-review","status":"publish","type":"post","link":"https:\/\/theblurb.com.au\/wp\/httptheblurb-com-aureviewscentral-intelligence-movie-review\/","title":{"rendered":"Central Intelligence – movie review"},"content":{"rendered":"

Yet another formulaic odd couple buddy action comedy, Central Intelligence <\/i>teams action hero Dwayne Johnson (San Andreas<\/i><\/a>) with motor mouthed comic Kevin Hart (Ride Along 2<\/i><\/a>), the most annoying and unfunny comic working in mainstream movies at the moment).<\/p>\n

\"Central-Intelligence-01\"It is an odd couple pairing that will remind audiences of the Rush Hour <\/i>series, in which producers teamed Jackie Chan, a recognised action star of martial arts movies, with Chris Tucker, a motor mouthed and annoying screen presence. The Rush Hour <\/i>franchise eventually stretched to three installments, each one worse than the preceding one. In movie terms, Central Intelligence <\/i>is more akin to Rush Hour 3 <\/i>than classics of this subgenre like 48 Hours <\/i>or the Lethal Weapon <\/i>series.<\/p>\n

In high school Calvin Joyner was the most popular kid and, in the senior year, was voted most likely to succeed. On the other hand, Robbie Weirdicht (say it aloud to get the full impact) was the overweight loner, constantly bullied and humiliated. Until Calvin showed him an act of kindness. Cut to twenty years later. Calvin (played by Hart) is an accountant stuck in a dead end job with a high powered firm. he has just been passed over for a promotion. Calvin married his high school sweetheart Maggie (Danielle Nicolet), but their marriage has hit a stormy patch. On the eve of the twentieth reunion of his old high school class, Calvin receives a friend message via Facebook from a person named Bob Stone, who claims to know him from high school. Although he can’t remember Bob, Calvin responds to the request. Before he knows it he is suddenly confronted by Stone (Johnson), who claims to be the former Bobby Weirdicht.<\/p>\n

Now he has transformed into a strapping muscle bound guy. What’s more he now claims to be a CIA agent. And he needs Calvin’s accounting skills to help crack his current case. A mysterious figure known only as “the Black Badger” has stolen some encrypted files and is offering them via a website auction site to the highest bidder. Stone wants Calvin to crack the satellite codes that will lead him to the location of the Black Badger and the handover of the files.<\/p>\n

However, Calvin’s office is invaded by heavily armed CIA agents led by the formidable Harris (Amy Ryan), who believes that Stone is actually the traitor, despite his distinguished record. Calvin quickly finds himself caught up in the middle of a web of international espionage and intrigue. He and Stone reluctantly team up, although Calvin is hardly the heroic type. Nor does he possess a unique skill set that will enable him to survive various chases and shootouts. So far, so formulaic, and Central Intelligence <\/i>does follow a well trodden path.<\/p>\n

Central Intelligence <\/i>is the first feature film written by Ike Barinholtz (better known for his work on tv series like MADtv <\/i>and The Mindy Project<\/i>) and David Stassen (The Mindy Project<\/i>), but there are enough holes in the plot to drive a fleet of semi-trailers through. And it is not that hard to figure out the identity of the real Black Badger.<\/p>\n

Johnson has fun sending up his own imposing screen presence here, and he does most of the heavy lifting with the comedy. He plays his usual tough guy persona for laughs – check out his dress sense, his almost effeminate mannerisms, his daggy taste in music and films (he calls John Hughes’ coming of age comedy Sixteen Candles <\/i>his favourite movie of all time!) There are also a few self-effacing references to his body and his body of work throughout. For his part Hart delivers another loud performance that grates more often than not. The film gets by though on the undoubted chemistry that develops between Johnson and Hart, who seem to have improvised much of their dialogue along the way. And as so often happens with these films there are some outtakes over the final credits that shows that the actors seemed to have enjoyed themselves while shooting the film.<\/p>\n