Jones’ solo music does differ from his work with The Indications in that it allows him to explore different styles and sounds outside of the band’s established group dynamic. This time around he recorded live in the studio with all of the musicians in the room which really has the music popping out of your speakers as Wait Til I Get Over flows more freely with its inspirations from jazz, gospel, blues, and several dashes of hip-hop. Many times here his vocals sound like the great Stevie Wonder and his impressive vocal ability and passion soar regardless of the style. Standout tracks on the album include “Lord Have Mercy,” a powerful upbeat song that addresses issues of generational struggle for the people of his hometown in Hillaryville, Louisiana from Jones’ time and from that of his grandmother’s to another highlight in “That Feeling,” that is an incredibly personal track that marks the first time the singer has openly discussed his sexuality.
Whether as a solo artist or as part of Durand Jones & The Indications, Jones is definitely worth checking out. His solo debut album is a must-listen for fans of classic soul music and anyone who appreciates talented musicianship as it continues the journey for what promises to be a long and successful career for Durand Jones.
Christopher Anthony
For more of Christopher Anthony’s music reviews, check out The Fire Note
Other reviews you might enjoy:
- American Love Call (Durand Jones & The Indications) – music review
- Private Space (Durand Jones & the Indications) – music review
- Bewilderment (Pale Jay) – music review
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