The album’s lengthy title, drawn from a John Clare poem, “Love and Memory,” comes up frequently in the lyrics of the 11 tracks here, with it giving the title to the opening song. The haunting instrumentals work with the idea that even when we’ve lost a loved one or moved on from a meaningful experience, there’s something of the person, of the things that touched us that lingers with us, the way “the sweetest leave us with the fairest decay.” While the winter sun rises late in the morning sky, the night often explodes with the colors of the Northern Lights, which leads Albarn to reflect on the cosmic “Particles” of the universe, that “are joyous as they alight on your skin.” While the overall feel here is stark, rich with ambient sonic colors, there’s also the “Combustion” with the noisier urban culture, an instrumental that with horns echoing the squall of machines and wild birds in flight, a gentle jazzy piano holding the center.
The funereal “Daft Wader,” seeks to capture the burial rites of Iran, an attempt to honour the beauty of an ancient culture that seeks to honor it martyrs with “whipping flame/We will put up our red flags and cry… Then light up bonfires for you.” While the urban jazz sax of “Tower of Montivedeo,” captures the Latin rhythm of the “new worlds and faraway places” of Uruguay in South America, where “I can hear music/I can hear footsteps/Ghost of an empty room.” But much of The Nearer Fountain… is closer to Albarn’s Icelandic heart, where “Esje” seeks to paint in musical strokes the feel of the great mountains, even as the piano and ticking sounds of birds in the wind in “Polaris,” and each day you awaken to the “Royal Mountain Blue.” Albarn, with help from Tong and Smith, takes the listener on a spiritual journey, in touch with our natural world, and an celebration of diverse responses to the every flowing stream of inspiration.
Brian Q. Newcomb
For more of Brian Q. Newcomb’s music reviews, check out The Fire Note
Other reviews you might enjoy:
- Utopia by Björk – music review
- Council Skies (Noel Gallagher’s High Flying Birds) – music review
- Hornet’s Nest (Phil Madeira) – music review
The Fire Note started to create a simple place that could showcase records that we liked. Nothing more, nothing less. The focus has always been about the album and the experience that a great record creates. The Fire Note Webzine builds on this idea by offering an array of content that is all about the enjoyment of music, its pulse and energizing attitude.