What a pleasure it was to be in the audience to see such a spectacular production of the first ballet to be performed at the newly refurbished State Theatre three years on. Composed by Tchaikovsky, with choreography by Peter Wright, Lev Ivanov and Vincent Redmon, complete with additional choreography by the Birmingham Royal Ballet, The…
The Australian Ballet’s glorious retelling of the classic Shakespeare tragedy Romeo and Juliet is colourful, powerful and passionate. This is a step back in time to wealthy, medieval Verona, where rivalries explode and danger lurks. The innocence of first love is shattered through the antipathy of the Montagues and the Capulets. The interpretation we witness…
How to create a compelling world premiere program with life sustaining plants at its epicentre. That was the challenge. Combining the supreme talents of The Australian Ballet and Bangarra Dance Theatre for a fourth time was a masterstroke … for the result is astounding. The creative excellence is next level. The surprises jaw dropping. The…
What a glorious production of Sir Kenneth MacMillan’s choreographed Manon, which showcases all that is great about ballet. Featuring artists of The Australian Ballet with Orchestra Victoria, under the baton of Charles Barker, the staging is inspired, the costuming magnificent and the dancing sublime. Based on Abbé Prévost’s 1731 novel, love is pitted against money,…
What distinguishes Dance X is creativity and excellence in diverse forms of movement and the emotion it generates. Make no mistake, feelings surface and explode – that is certainly true in my case. There is a primal connection to the art form. In a special fortnight of dance at Arts Centre Melbourne, I started with…
Creative excellence and supreme artistry are the hallmarks of three short works that constitute The Australian Ballet’s new production, Prism. The trio is decidedly modern, starting with Jerome Robbins’ Glass Pieces. It starts with urgency, as people wearing striking pops of colour criss-cross one another, as they walk purposefully across the stage. Interspersed with that…
Dark and dramatic comes this contemporary adaptation of Georges Bizet’s 19th-century opera. What choreographer John Inger has done in recreating Carmen is visionary – bold and breathtaking – retelling the tale captured in Prosper Mérimée’s 1845 novella. Inger has reimagined the classic opera, with its electric score, as realised by Orchestra Victoria, under the baton…
Spectacular. Creative (in short, it is visionary). Compelling. Nijinksy showcases the very best of The Australian Ballet. As the title suggests, it charts the rise and fall of acclaimed Russian dancer and choreographer Vaslav Nijinsky (12th March, 1889 – 8th April, 1950). Considered to be the greatest male dancer of the early 20th century, he…
The combination of the new and the old is intoxicating in The Australian Ballet’s double bill Etudes/Circle Electric. Up first is Circle Electric, which combines modern dance, ballet, sound and light to create a maelstrom of movement, majestic and, at times, harried. I was totally sold on choreographer Stephanie Lake’s first full length commission for…
How very exciting for The Australian Ballet to be presenting the world premiere of a new full-length ballet … and it is spectacular. Oscar is based on the life and writings of acclaimed Irish poet, playwright and satirist Oscar Wilde (16thOctober, 1854 – 30th November, 1990). The work of Tony Award-winning choreographer Christopher Wheeldon (known…
