Dark and dramatic comes this contemporary adaptation of Georges Bizet’s 19th-century opera. What choreographer John Inger has done in recreating Carmen is visionary – bold and breathtaking – retelling the tale captured in Prosper Mérimée’s 1845 novella. Inger has reimagined the classic opera, with its electric score, as realised by Orchestra Victoria, under the baton…
Spectacular. Creative (in short, it is visionary). Compelling. Nijinksy showcases the very best of The Australian Ballet. As the title suggests, it charts the rise and fall of acclaimed Russian dancer and choreographer Vaslav Nijinsky (12th March, 1889 – 8th April, 1950). Considered to be the greatest male dancer of the early 20th century, he…
The combination of the new and the old is intoxicating in The Australian Ballet’s double bill Etudes/Circle Electric. Up first is Circle Electric, which combines modern dance, ballet, sound and light to create a maelstrom of movement, majestic and, at times, harried. I was totally sold on choreographer Stephanie Lake’s first full length commission for…
How very exciting for The Australian Ballet to be presenting the world premiere of a new full-length ballet … and it is spectacular. Oscar is based on the life and writings of acclaimed Irish poet, playwright and satirist Oscar Wilde (16thOctober, 1854 – 30th November, 1990). The work of Tony Award-winning choreographer Christopher Wheeldon (known…
The Australian Ballet’s glorious production of Alice’s Adventures in Wonderland is a fitting tribute to the splendid State Theatre before it undergoes a three-year refurbishment. It is a colourful, highly creative, whimsical work – a sensory sensation. The winner of the 2018 Helpmann Award for Best Ballet, Christopher Wheeldon choreographs the translation of Lewis Carroll’s beloved book. The…
Stunning. That word best sums up The Australian Ballet’s reinvention of Anne Woolliams’ acclaimed 1977 production of the world’s most famous ballet, Swan Lake. The tragically beautiful story with instantly recognisable score remains an audience favourite and the centrepiece and shining light of many companies’ repertoire. Swan Lake is magnificent, majestic and mesmerising. Dancer, ballet mistress, teacher,…
Two new and very different works, each lasting just under an hour, constitute the opening of the 2023 ballet season in Melbourne for The Australian Ballet. Named Identity, in a nutshell it is contemporary dance versus traditional ballet. While there were elements of both that I admired, I felt there was too much repetition in the first,…
A proud, potent and poignant piece of artistry that combines dance, song, monologue and athleticism with projections is the highlight of DanceX Part III. I speak of Gudirr Gudirr by Marrugeku, which contains truth-telling about the history of indigenous Australians from the Kimberley region of Western Australia. To say what is acted out is not pretty is…
The Australian premiere of Johan Inger’s comic, romantic dance theatre piece I New Then, set to songs by Van Morrison, is superb. I was delighted to experience it for a second time in a few days when watching DanceX Part II. It opened the program, just as it had DanceX Part I. Inger, a Swedish choreographer, danced with…
The Australian premiere of Johan Inger’s comic, romantic dance theatre piece I New Then, set to songs by Van Morrison, is the undoubted highlight of DanceX Part I. Inger, a Swedish choreographer, danced with Nederlands Dans Theater and has made works for leading companies all over Europe. The feel-good 28-minute dance experience is energetic and humorous. The music…
