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Wild Mountain Thyme – movie review

Irish lyricism, bluster and blarney combine in Wild Mountain Thyme. This romantic drama has the sole purpose of joining a lovelorn woman and her timid neighbour. Rosemary Muldoon (Emily Blunt) grew up initially doubting her purpose until her father told her she was the white swan, like in Tchaikovsky’s Swan Lake (which is a recurring…

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Ammonite – movie review

Francis Lee follows up his well-received debut feature, God’s Own Country (2017), by mixing fact and fiction in Ammonite*. This finely constructed drama explores a real-life relationship, but takes it in directions not necessarily supported by the historical record. As in God’s Own Country, Ammonite delves into a same-sex relationship in a somewhat remote location….

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Made in Italy – movie review

The lure of Italy is strong – especially for filmmakers. It seems every story of transformative discovery needs to play out against a sun-dappled backdrop in Sicily or the Veneto. But of course, Tuscany is particularly beloved (see Under the Tuscan Sun, and its ilk). So it’s not exactly surprising that British writer-director James D’Arcy…

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23 Walks – movie review

23 Walks promised much but delivered little. It ends up being scenic but manufactured pap for the elderly. Two lonely people connect after a shaky start and try to make something of their relationship. Of course, it wouldn’t be a movie without a number of obstacles. Dave (Dave Johns) is a retired mental health nurse…

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Love Sarah – movie review

A largely predictable romantic drama, Love Sarah centres around three generations of women who go into business together in a culturally diverse area of London’s Notting Hill. The Sarah of the title (Candice Brown) and Isabella (Shelley Conn) are best friends who were about to open a sweet-focused bakery together, but then tragedy struck. Sarah,…

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Portrait of a Lady on Fire – movie review

Feeling and sensitivity pervade every fibre of the sensual and artistic work by French auteur Céline Sciamma (Girlhood). We’re in Brittany, France in 1760. Slow-moving but compelling, Portrait of a Lady on Fire concerns a secretive and developing relationship between a painter, Marianne (Noémie Merlant) and her subject, Héloïse, (Adèle Haenel), who has just left…

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