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A Haunting in Venice – movie review

Turning Agatha Christie murder mysteries into popular cinema is proving quite lucrative. So it’s not surprising that for the third time Kenneth Branagh has teamed with writer Michael Green to adapt Christie’s late (1969) novel Hallowe’en Party for A Haunting in Venice. The unsettling supernatural thriller follows the success of Murder on the Orient Express…

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Marlowe – movie review

For a film featuring several brutal murders, Neil Jordan’s Marlowe is oddly bloodless. That’s not to say it’s bad – it has many fine things going for it – but it lacks the grit those familiar with Raymond Chandler’s iconic detective may be expecting. That could have something to do with the fact the source…

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Missing – movie review

The internet features prominently in the compelling new psychological thriller Missing from writer-directors Will Merrick and Nicholas Johnson. The film starts in San Antonio on April 13th, 2008. As caught on video camera, a father, James (Tim Griffin), is playing with his young daughter June (Ava Lee) when a trickle of blood is seen coming…

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Knock at the Cabin – movie review

In M. Night Shyamalan’s intriguing psychological thriller, Knock at the Cabin,  Kristen Cui plays eight-year-old Wen – a bright young girl who collects grasshoppers so she can study them. She’s special because she was adopted by her two dads – Andrew (Ben Aldridge) and Eric (Jonathan Groff) – when she was only a baby. Now…

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The Wonder – movie review

The church, religion and medical science have a lot to answer for in The Wonder. This is acclaimed director Sebastián Lelio’s first feature since Gloria Bell (2018). In 1862, nurse Lib Wright (Florence Pugh) travels from England to small-town Ireland to watch an 11-year-old girl Anna O’Donnell (Kila Lord Cassidy). The reason soon becomes clear….

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Don’t Worry Darling – movie review

The much talked-about Don’t Worry Darling has created some pre-release buzz, not always for the right reasons. But alleged on-set and Venice Film Festival tension should fade into the background when audiences see this very stylish, if somewhat illogical film. But again, the buzz might not always be for the right reasons. Katie Silberman (who…

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