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King Otto – movie review

Christopher André Marks’ documentary King Otto tells the story of how rank underdogs became European champions thanks in significant part to an outsider. The outsider was Otto Rehhagel, a German coach who took the Greek National Football Team to glory at Euro 2004. Rehhagel was born in 1938 in Essen, where – as a five-year-old…

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Cruella – movie review

Wow! What a ripping good, most entertaining, magnificently realised origin story. Cruella is clever, funny and sassy – a family comedy turned sophisticated adult offering. English children’s novelist and playwright “Dodie” Smith is best known for the novel The Hundred and One Dalmations (1956), which became the big screen animation 101 Dalmations in 1961. Disney…

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A Quiet Place Part II

The wait has been worth it.  The outbreak of COIVD-19 significantly delayed the release of A Quiet Place Part II and it is now difficult to watch this film without drawing parallels to the world on a precipice. How I’ve missed quality Hollywood fare of this ilk. Tension characterises the movie, which picks up where…

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The Godmother – movie review

French cinema icon Isabelle Huppert displays her comedic side in Jean-Paul Salomé’s crime caper The Godmother (La Daronne). The film starts out as a conventional crime drama with the cops looking to intercept a shipment of drugs, but ends up in some pretty wild territory. Huppert plays Patience Portefeux*, a translator with the Paris police….

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Ema – movie review

Pablo Larraín is a Chilean filmmaker of distinctive style. Much loved in art house circles, his films are often marked by slow narratives punctuated by arresting visuals – and occasionally violence. His latest film to reach these shores, Ema (actually made in 2019) follows a similar pattern. Larraín’s Jackie (2016) was one of my favourite…

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The Man in the Hat – movie review

The Man in the Hat sounds like something from the pen of Dr Seuss. Rather this is a quirky and offbeat Tati-esque comedy about an unnamed man (played by Irish actor Ciaran Hinds) driving through the French countryside in his little Fiat 500. He drives through backroads and byways and small villages, and interacts with…

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Carmilla – movie review

In 2015, Robert Eggers played with the intersection of the real and the fantastic in the horrifyingly effective The Witch. Now writer-director Emily Harris treads similar territory in the creepy Carmilla. Like The Witch, Harris explores the line between reality on one hand, and fear and superstition on the other. But where Eggers left a…

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