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Cleopatra & Antony (Melbourne Shakespeare Company), at fortyfivedownstairs – theatre review

Scheming and passion abound in Melbourne Shakespeare Company’s Cleopatra & Antony. Based on the Shakespearean tragedy Antony and Cleopatra, written about 1606, it concerns power and politics, but is a deeply personal story. Set during the final years of the Roman Republic, the 13-strong cast throws itself headlong into the desire and subterfuge that drive…

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Between the Lines: The James Joyce/Groucho Marx Letters (Bloomsday in Melbourne), at fortyfivedownstairs – theatre review

What a fascinating, intriguing, thrilling premise this James Joyce actioner has! Imagine if the Irish writer of Ulysses, one of the most lauded books ever published, exchanged correspondence with one of the world’s most famous comedians. Yes, Joyce and Groucho Marx in regular communication, after Groucho reached out to Joyce having acquired a first edition…

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The Juliet Letters (The Crossing Machine), at fortyfivedownstairs – concert review

Twenty tracks, some deliberately discordant, others melodic, written to one of history’s greatest literary figures – that is the inventiveness of The Juliet Letters. The changes in tempo reflect significant mood shifts – from bitterness, disillusion and despair to vulnerability, cynicism and obsession. It is the work of an unlikely pairing, English rock singer/songwriter Elvis…

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