Featuring Sacred Harp, otherwise known as shape-note or fasola, singing, The Hall is a moving and superbly executed offering. It involves a community choir delivering a capella in four-part harmony. The story concerns three members of a family. Tup (Natasha Herbert) has been diagnosed with Stage 4 frontotemporal dementia. She is incontinent and prone to…
Writer Benjamin Nichol continues his incendiary anthology series of plays with the double bill Milk and Blood. Each 70 minutes in duration, they concern the trials and tribulations of a single mother and a gay escort. Both are hard hitting and powerful monologues, presenting snippets of the lives of characters simply called Mummy (in Milk)…
This is a Wilde/wild night all right – oh so deliciously wacky, in fact. Bloomshed has taken the essence of Oscar Wilde’s original farce, first performed in 1895 and given it an even more ribald and rambunctious twist. Who plays whom at any given moment appears to be somewhat of a lucky dip. Suffice to…
Love, loss and laughter are potent and enduring in composer William Finn’s (The 25th Annual Putnam County Spelling Bee) Elegies. Based around the importance of community, Elegies is a song cycle, namely a series of songs that hang together thematically, rather than through a narrative thread. Having said that, attendees at a regular, all male…
Few are as fearless in opening up their lives, warts and all, as is Namibian born Natalie Gamsu. The singer, actor and cabaret performer who moved to Australia in 2003 studied drama at the University of Capetown and has worked all over the world. She lifts the lid on her experiences, giving us her thoughts and feelings…
Tom Holloway’s 100 Reasons for War (2015) has been updated to reflect present day conflict in Calamity Practice’s uproarious, disturbing production of the work. At one point, all eight actors that form the ensemble detail the multitude of unending fighting that has taken place since the Great War (WWI). It doesn’t make for pretty watching (not that…
Call it searching for creativity or a descent into madness. That is a matter of interpretation. Carpet and Sand is a fanciful re-telling of a trip that English theatre and film director Peter Brook took with a group of actors through the Sahara Desert in 1972. Among their number was Helen Mirren. According to the presentation in…
A contemporary twist on an old fancy, Monash University Student Theatre (MUST) in association with Bloomshed, have taken aim at supermarket greed. The plot is drawn from the satirical play The Government Inspector (1836) by Russian dramatist and novelist Nikolai Gogol. It is a comedy of errors, satirising greed, stupidity and political corruption in Russia. In The Government…
A searing look at female homelessness in Australia over the age of 55, Way, written and performed by Sally McKenzie, is as powerful theatre as it is shocking reality. In short, it is distressing but important to watch what unfolds. McKenzie – an MTC stalwart in the early 1980s who moved back to Melbourne from Brisbane as…
On the dark web, thousands of people connect. One such encounter involves a deeply troubled 14-year-old girl, played by Matilda Gibbs. She reaches out to see whether anyone can teach her about witchcraft, so she can cast a spell over those that choose to ignore her. She loves dancing, is depressed, invisible, friendless and keen to lose weight….
