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Bernie Dieter’s Club Kabarett (Queen Victoria Market) – theatre review

Risqué and ribald, the R-rated treat that is Bernie Dieter’s Club Kabarett features an astounding cavalcade of talent. Provocative costuming, sexual tension, bawdy humour, original music and death-defying feats of strength, dexterity and precision are the order of the day. Aerial skills, pole dancing and fire eating are hot on the menu, as is hilarious audience interaction. There…

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Cab Suave (Sparkle Society) – theatre review

Film noir in style, Cab Suave is circus and cabaret mixed with comedy under the thin pretence of a detective story. The private investigator and master of ceremonies is Dick Johnson. He is also a highly competent performer whose routines are interspersed with the other acts. He juggles, twirls and balances – and impresses – using…

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Trash Talk

To state the bleedin’ obvious, COVID-19 has had a massive impact on the world … and comedian and songstress Tash York throws many well-chosen barbs regarding coronavirus into a powerhouse show. She’s sassy and saucy and altogether supreme as she and her two flaming red-haired drag artist sidekicks Matthew Hadgraft and Vivian Fonteyn – one on piano and the…

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Grant Busé: SentiMENTAL!

Nostalgia is very much alive and kicking … and Grant Busé has made a thoroughly entertaining, hour-long show about it. He sings, dances, plays instruments (guitar and piano) and chats up a storm. He is funny, clever, risqué and endearing. He pokes fun at the fact that the world seems to be all about remakes, reboots and remixes. He bemoans that “nostalgia just…

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The Broken Mill (Chapel off Chapel)

The bizarre meets the macabre and the maudlin in The Broken Mill. Through original song, storytelling and mime, six performers and four band members tell the tale of the manipulative and murderous Mama (Sarah Wall). She has taken in the destitute and disenfranchised and pulled together a cabaret involving misfits and mould breakers. Some are convinced she…

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