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Sidonie in Japan – movie review

The artistic links between France and Japan run (perhaps surprisingly) deep. The French Impressionists were obsessed with Japanese woodblock prints, for example. In the 1950s, while French filmmakers and audiences embraced Japanese cinema, with Akira Kurosawa’s Rashomon (1950) and Kinugasa Teinosuke’s Gate of Hell (1954) featured at the Cannes Film Festival; while Alain Resnais’ seminal…

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A Hidden Life – movie review

I’ve loathed every film revered auteur Terrence Malick has made since The Tree of Life. His impressionistic take on the material – with its ethereal visuals, non-linear structure, the fragments of whispered, overlapping dialogue, the rapid cutting within scenes that barely give a moment room to breathe and the off-centre framing of his characters and…

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