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Passions Like Tar (Louse) – music review

Formed in 2021, Louse have established themselves within the new-wave punk scene. The group consists of Sam Souders on vocals, guitar, and keys; Danny Lovell on bass; Connor Simpson on guitar; Max Enslen on keys; and Bradley Kennedy on drums. Together, they created a project that evokes a mix of nostalgic and experimental tendencies. Passions Like Tar marks their debut which was recorded during the summer of 2023.

The record presents a collection of dark, gothy tracks that explore a variety of moods and tempos, ranging from fast-paced rhythms to slower, more introspective moments. The album features intricate guitar work paired with tight drumming, laying the foundation for lyrics that navigate darker themes. Throughout the album, Louse constructs a soundscape that links individual tracks into a larger narrative, resulting in a cohesive body of work. Louse succeeds with this memorable debut as their own distinct approach is exemplified by minimalist post-punk, defined by sparse instrumentation, dark basslines, and haunting, melancholic vocals.

Louse leans heavily into the post-punk genre, incorporating modulated guitars and synth-driven arrangements. Their sound references the gothic traditions of the ’80s while maintaining a modern punk edge. The drums provide a driving force within the music, offering a persistent energy. Vocally, the band delivers layered performances, creating a striking atmosphere that complements the instrumental intensity. While remaining within the boundaries of their genre, Louse introduces angular melodies and rhythmic shifts that add variety to their tracks.

While Louse’s sound is rooted in traditional post-punk influences, Passions Like Tar represents a progression for the band in terms of crafting longer, more developed tracks. The album strikes a balance between their earlier, straightforward energy and a newer, more deliberate exploration of structure and depth. The use of synths is more pronounced, adding dimension to the guitar-heavy arrangements. Louse has evolved from a raw, emerging act into a group experimenting with intricate song compositions that already carry the sound of a veteran band.

Several tracks stand out for their distinctive qualities and contributions to the album’s overall flow. “Thieves” opens the album with a rhythmic, energetic tone, its pulsing beat and memorable riffs providing an accessible entry point into Louse’s world. In contrast, “A Potter’s Field” slows the pace, offering a more expansive and atmospheric moment that allows the band to explore deeper sonic textures. “Bed of Knives” and “From the Swarm” balance the album’s contrasting elements, merging rhythmic intensity with darker, reflective lyrical approaches, serving as key tracks that tie the album’s themes together.

Christopher Anthony
For more of Christopher Anthony’s music reviews, check out The Fire Note

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