fbpx

Empire of Light – movie review

Set in the English coastal town of Margate during the turbulent early 1980s, Empire of Light is a sensitive romantic drama. Hilary (Olivia Colman) is manager of the local cinema, the Empire, situated across from the beach. She gets along well with her fellow workers, who include projectionist Norman (Toby Jones) and the diplomatic Neil…

Read More

Don’t Go (Chapel Off Chapel) – dance review

Relationship often start with sizzle and succumb to pressure and misalignment between parties. Lion Heart Dance Company has cleverly captured that with movement and song. Don’t Go is characterised by star turns from principals Jemma Craig and Andrew J Liu. They are dynamic leads. As the saying goes, the “lovers” are “all over each other” at…

Read More

Creed III – movie review

After retiring from the ring three years ago, Adonis Creed (Michael B. Jordan) lives to fight another day in Creed III. The film starts back in the day when 15-year-old Creed (Thaddeus James Mixson Jr) was running around with his best friend, 18-year-old Damian Anderson (Spence Moore II), a boxing prodigy. Then a violent incident…

Read More

Magnolia (Okonski) – music review

Magnolia, the debut album from jazz trio Okonski, uses a simple formula: piano, bass, and drums. But simplicity can be deceptive, and Magnolia manages to cover a lot of musical and emotional ground over its seven tracks. Bandleader Steve Okonski’s piano work is the primary focus conjures a range of moods and styles, but “meditative”…

Read More

Lonesome – movie review

Lonesome is the sexually explicit sophomore feature from writer/director Craig Boreham, one of our finest exponents of queer cinema at the moment, and it follows his 2016 debut Teenage Kicks. The low-budget film looks at the commonality of the LGBTQI+ young men drawn to the big city and the allure of bright lights and excitement…

Read More

Joseph and the Amazing Technicolor Dreamcoat (Capitol) – theatre review

Very few stage productions can boast superlatives like Joseph and the Amazing Technicolor Dreamcoat (‘Joseph’), now on at Sydney’s Capitol Theatre. From start to finish, this production is magnificent musically, colourful in its presentation, engaging in its staging and outstanding in its efficaciousness. First presented by Andrew-Lloyd Webber and Tim Rice in 1968, Joseph loosely follows…

Read More