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Broker – movie review

Hirokazu Kore-eda is one of Japan’s greatest living filmmakers. You could mount a case he’s the greatest living Japanese filmmaker if you exclude animation (and thus, Hayao Miyazaki). In 2013, he took home the Special Jury Prize from the same event for Like Father, Like Son. In 2018, he won the Palme d’Or at Cannes…

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Strange Dance (Philip Selway) – music review

Philip Selway, best known as the drummer in Radiohead, has released his third solo album revealing an affinity for the elegant and artful, technologically enhanced, somewhat experimental, larger than life arrangements that has long been part of his main band’s largest works. Surprisingly, Selway and producer Marta Salogni brought in Italian drummer Valentina Magaletti, due…

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Madama Butterfly (Opera Australia’s Handa Opera) – opera review

Opera Australia’s Handa Opera Madama Butterfly sears with emotion. It is a splendid and spectacular offering, with surprises, against the backdrop of the Sydney Harbour Bridge and the Opera House. The story concerns a US navy lieutenant named Benjamin Franklin Pinkerton who takes advantage of a beguiling former Japanese geisha, Cio-Cio-San, in Nagasaki. While she – nicknamed…

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The Goat or, Who is Sylvia? (STC) – theatre review

Intelligent couple Stevie (Claudia Karvan) and Martin Gray (Nathan Page) have been happily married for 22 years. They have a 17-year-old gay son, Billy (Yazeed Daher) and all live a good life. Martin, who has just turned 50, has had, arguably, the finest week of his professional life. He has just been awarded the premiere prize for architecture,…

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John Wick: Chapter 4 – movie review

Keanu Reeves returns as the taciturn, virtually indestructible lone-wolf assassin John Wick. This is the fourth installment in the successful franchise that has continually raised the bar in terms of staging kinetic action sequences. The 2014 original boasted some of the best stunt choreography and kinetic action sequences from a Hollywood movie. And John Wick:…

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