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Joy Ride

Think of the hijinks in Crazy Rich Asians, Bridesmaids and The Hangover and you go some way to understanding why Joy Ride will be a fan favourite. There are laughs, silliness and good times aplenty. As five-year-olds, Audrey and Lolo meet by chance in 1998 at a New York park. Born in Asia, Audrey –…

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Bronte (Genesian) – theatre review

Greatness often emanates from very humble beginnings. The story of the Bronte sisters, Charlotte, Emily and Anne, is one such example. In Bronte, writer Polly Teale provides context about how three cloistered sisters wrote English literary classics such as Jane Eyre, Wuthering Heights and The Tenant of Wildfell Hall. Polly Teale’s storytelling is engaging and…

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Shhhh (Red Stitch Theatre) – theatre review

Loneliness. Pain. Emotional connection. Desire. Sexual kinks. Consent. That is US writer Clare Barron’s Shhhh, which has its Australian premiere at Red Stitch Theatre. Bold, confronting and, on occasions, perplexing, it is a play that concerns itself with sexual assault, rape culture, mental and physical wellbeing, and the sisterhood. Playwright Shareen (Jessica Clarke), who suffers from a…

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The New Boy – movie review

An indigenous lad (Aswan Reid) reshapes the lives of those living at a remote monastery in 1940s Australia in Warwick Thornton’s The New Boy. The outback facility serves as a mission for Aboriginal children. It’s run by a feisty, renegade nun, Sister Eileen (Cate Blanchett). At the time only men could operate missions. But the…

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Driving Madeleine – movie review

It would be easy to dismiss this charming crowd-pleasing little film as a Gallic variation of the Oscar winning Driving Miss Daisy. But this French drama, which screened during the recent Alliance Francaise French Film Festival, is so much more. Madeleine Keller (played by veteran singer and actress Line Renaud, recently seen in Call My…

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Just a Boy, Standing in Front of a Girl (fortyfivedownstairs) – theatre review

With five in the cast on a catwalk-like stage, this is a modern, generally slapstick and cartoonish interpretation of Euripides’ Greek tragedy Medea. In the historic work, Medea seeks revenge on her unfaithful husband. In Jane Miller’s Just a Boy, Standing in Front of a Girl, all the characters have received a contemporary makeover. Further, misogyny, fat shaming…

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