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Moonage Daydream – movie review

David Bowie was unquestionably a creative genius for whom “safe” and “middle of the road” didn’t cut it. He was innovative. He pushed himself. He liked to live life on the edge and admired others who did. According to the family-endorsed documentary Moonage Daydream, he was heavily influenced by his older half-brother Terry Jones who…

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Bodies Bodies Bodies – movie review

In Halina Reijn’s Bodies Bodies Bodies,  five 20-somethings gather at a “hurricane party” to see out an impending cyclone. The venue is David’s (Pete Davidson) family’s remote mansion. With the gathering underway, a couple of others walk in. Sophie (Amandla Stenberg) – David’s childhood friend – has had a stint in rehab and has a…

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After Ever Happy – movie review

It seems to be a film a year in the “After” teen-romance franchise, and now we’re onto the fourth. Unless you’ve seen the others you might find it difficult to follow the threads because the action just starts with a presumption of character knowledge. The series began with After in 2019, followed by After We…

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Senser (Theatre Works) – theatre review

Imagine what a dark place a world without music would be. That is the starting point for this bold, brassy and zany work, the brainchild of writer Brittanie Shipway, with original music from Jess Newman and Shipway. She straddles Nazi-era cabaret to a totalitarian regime with harsh dictates in 2043. Senser hits the right note figuratively and…

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Bed & Breakfast (Fairly Lucid Productions) – theatre review

A dramatic comedy, Bed & Breakfast is a brilliantly written, outstandingly realised double hander with many parts. The work of Canadian playwright Mark Crawford, this marks its international premiere. Frankly, a work of this quality, containing such important subject matter, should be seen globally. The action takes place in Melbourne, Ballarat and in a smaller regional setting,…

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The Quiet Girl – movie review

Colm Bairéad’s The Quiet Girl is a deeply affecting work – I had tears running down my cheeks on the final scene. We’re in rural Ireland in 1981. Cait (Catherine Clinch) (aged 9) is one of five children who keeps to herself, says very little but observes much. There is no love shown to her…

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