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K-Box (Malthouse Theatre) – theatre review

Identity is the theme of a dramatic comedy about a 34-year-old who is trying to get a sense of self. Korean-born Lucy (Susanna Qian) was adopted by her quintessential Australian parents – Shirley (Maude Davey) and George (Syd Brisbane) – when she was four. She was brought up with much love in a small country town. Now, out…

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Jesustown (Paul Daley) – book review

Australian journalist Paul Daley takes on his country’s past in his new novel Jesustown. Set mainly in a remote Aboriginal community in Australia’s far north, Jesustown attempts to tackle not only Australia’s history but the way in which we remember and record history. Patrick Renmark is in disgrace. The reasons for this become slowly apparent…

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The Outfit – movie review

A deceptively clever period crime drama, director Graham Moore’s The Outfit is a slow burn mesmeriser. Set in Chicago in 1956, all the action takes place at the premises of a bespoke tailor. Leonard (Mark Rylance) is a well-spoken, nondescript British “cutter” who takes great pride and pleasure in his work. His narrative about what…

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Both Sides of the Blade – movie review

French auteur Claire Denis (White Material) often explores fragile relationships in her films, looking at the tension between her characters and the corrosive effects of the lack of trust. Her latest film Both Sides of the Blade (known as Fire in some territories) explores a romantic triangle that spirals out of control and the emotional…

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Orphan: First Kill – movie review

In Orphan: First Kill, Leena (Isabelle Fuhrman) looks every bit like a 10-year-old girl. But she’s actually 31 and the most dangerous patient in an Estonian psychiatric institution. Particularly devious, she’s also deadly. When she escapes from the facility, she poses as the long-lost young daughter of a wealthy American family. Thinking his daughter has…

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The Dark Web (Bottled Snail) – theatre review

Clever and melodic, The Dark Web is a delightful, rib tickling, original musical from the vivid imagination of its writer, composer and star Ariella Gordon. The 90-minute show without interval, with four principal performers and another four in the ensemble, concerns a dysfunctional family. June (Gordon) plays 15-year-old Andy’s (Eleanor Davey) aunt, to whom she is…

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