Ohio Players demonstrates The Black Keys’ evolution as musicians, showcasing their willingness to experiment with new sounds and collaborate with a variety of artists. The album represents a departure from their earlier works while retaining the core elements that define their sound. The most interesting thing about this record is that plays more like a Beck type album for all the obvious reasons but completely works as a fresh new road for The Black Keys. I will always be ready for them to get back to the basics but this album is much more catchy than anything the have released since El Camino (2011). It has a style to it that comes from their veteran status but also love for all types of music. This is evident if you look at Auerbach’s Easy Eye Sound label roster.
The album hits a diverse range of musical styles, including blues, soul, funk, hip-hop, and rock. The Black Keys blend their signature blues-rock sound with elements from their collaborators, resulting in a rich and eclectic sonic canvas. I find Ohio Players to be a very different approach for the Black Keys and one that succeeds and sounds better each time I listen.
The album falls into the list for any fans of Beck, Noel Gallagher, and The Black Keys’ previous work. Also The Raconteurs, Gary Clark Jr. and the Foo Fighters come to mind as well.
“This Is Nowhere” is the album opener that has a thick, funky groove, reflecting the collaborative spirit of the project. The track has real staying power. “Beautiful People (Stay High)” is a densely layered track featuring Dan The Automator’s production, showcasing the band’s versatility. “On the Game” is a Beatlesque stomp featuring Noel Gallagher, blending his songwriting prowess with The Black Keys’ sound. “Everytime You Leave” was co-written with Greg Kurstin and Beck, and closes the record down with its dark-pop territory. “Paper Crown” featuring Beck’s vocals and Juicy J’s rap, this track adds a dynamic element to the album’s sonic landscape.
The lyrics on Ohio Players cover a range of themes, from introspection and self-discovery, the transient nature of happiness to social commentary and just straight up storytelling. The collaborative nature of the album allows for diverse perspectives and narratives to emerge, giving the record more depth and complexity.
Thomas Wilde
For more of Thomas Wilde’s music reviews, check out The Fire Note
Other reviews you might enjoy:
- Frontier’s Edge (The Budos Band) – music review
- Surface World (Straight Arrows) – music review
- Dropout Boogie (The Black Keys) – music review
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