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Moon Mirror (Nada Surf) – music review

Nada Surf was formed in New York City in 1992 by Matthew Caws, Daniel Lorca, and Ira Elliot. Their debut single, The Plan/Telescope, was released in 1994, and they quickly gained attention with their first full-length album, High/Low, in 1996, produced by Ric Ocasek of The Cars. Their single “Popular” became a breakout hit, propelling them into the alternative rock scene. Despite initial success, the band found its true rhythm with albums like Let Go in 2002, which cemented their place as both an emotional and melodic force. Over the years, Nada Surf has maintained a consistent core lineup, often collaborating with longtime friend Louie Lino.

Moon Mirror marks Nada Surf’s first release in four years and celebrates the 30th anniversary of their debut single. The album offers a reflective collection of 11 tracks, touching on the band’s aging path through love, loss, uncertainty, and hope. The record was produced by the band with Ian Laughton (Supergrass, Ash). With each track, Moon Mirror continues the band’s tradition of contemplative yet anthemic music, mixing introspective lyrics with harmonies that build into grand sonic moments. Caws’ vocals remain among the most engaging in the indie music scene, and Moon Mirror showcases his flawless delivery.

This record may not draw a flood of new fans to Nada Surf as they no longer are a band in their 20s, but Moon Mirror is a fantastic headphone record with its thought-provoking melodies and deep diving lyrics. The album brings indie fans who were with Nada Surf 30 years ago full circle, offering a reflection on where we all are today — demonstrating the power of music.

Moon Mirror continues the band’s blend of indie rock with textured melodies. There is a balanced contrast between quiet, understated moments and powerful crescendos, with several tracks that turn up the volume. The album’s arrangements highlight thoughtful lyricism intertwined with dynamic shifts in rhythm, blending soft verses with chorus-driven climaxes.

Over the years, Nada Surf has evolved from their early alt-rock origins into a band capable of weaving together more nuanced, complex soundscapes. On Moon Mirror, their sound incorporates the wisdom gained from decades of experience, featuring polished instrumentation while maintaining the raw emotional threads that characterized their earlier work. The addition of Louie Lino adds further depth to their already intricate arrangements.

There are parallels to bands like Death Cab for Cutie, Band of Horses, Teenage Fanclub, and Sloan in terms of catchy hooks, harmonies, melodic structure, and reflective songwriting. There are also hints of Real Estate’s dreamy, laid-back rock, as well as some influence from Grizzly Bear in the production style.

Key tracks on the album include the standout single “In Front of Me Now,” which is one of the most thought-provoking and catchy songs Nada Surf has written in years. With its heartfelt warning against sleepwalking through the one life we have, frontman Matthew Caws asks himself, “Why wasn’t I present? I could have been living.” “New Propeller” reflects on the rapidly changing world, while working to maintain a sense of community in order to feel alive and present. “Losing” is another song that soars with its delivery but hits hard lyrically, as it contemplates friends lost, loves lost, time lost, and mostly, possibilities — and how that makes you feel. The hopeful bridge keeps your head above water. “Intel and Dreams” and “Give Me the Sun” are great reminders that Nada Surf can still turn up the guitars.

The lyrics on Moon Mirror explore themes of human connection, uncertainty, and the search for meaning. Matthew Caws reflects on relationships, mortality, and personal growth with a conversational, grounded approach. The songs resonate with universal experiences, offering both personal and collective insights into life’s complexities.

Christopher Anthony
For more of Christopher Anthony’s music reviews, check out The Fire Note

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