The Hurray for the Riff Raff motif finds Segarra locking in on basic musical hook or rhythm, while the lyrics tend to embrace a earth friendly gathering of the human community, whether it’s a song about suffering for love, putting one’s faith in the gospel of vegetation, or telling the story of an immigrant’s travels, there’s a sense of longing, hope, and catharsis in most every track.
In the pristine modern pop meets new wave vibe of “Pierced Arrows,” Segarra looks at life’s tragedies but insists “that’s no way to die.” But that positivity is hard won, as there are “Wolves” so it’s “not safe at home anymore/you gotta run, babe, you know how to run.” In “Saga,” they decide their not going let a sexual assault become story of their life, so even though “nobody believed me,” they decide they are going to “make it through this week/and I’ll get out alive,” while the music drives forward with an insistent groove rooted in those warm NOLA horns.
They return again at the end of the gentle meditative hymn that is the title track, with the reassuring confidence that “life on earth is long,” as if to make a funereal sound breathe with the possibility that only a Dixieland clarinet and bring home. At its best, pop music has engaged that strange alchemy that takes a sad song and makes it better, and Hurray for the Riff Raff taps a rich vein that tells the hard truths in a way that they land softly. Perhaps that’s the gift of the Buddhist wind chimes that toll out for a minute in the closing track, “Kin.”
Brian Q. Newcomb
For more of Brian Q. Newcomb’s music reviews, check out The Fire Note
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